The Chequer'd Shade: Reflections on Obscurity in PoetryOxford University Press, 1958 - 229 ページ |
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... called difficult ; hostile critics of the earlier poets found them diffi- cult , but called them silly.1 The epigram , despite its superficial persuasiveness , is mis- leading . For example , the early critics of Shelley's Alastor ...
... called difficult ; hostile critics of the earlier poets found them diffi- cult , but called them silly.1 The epigram , despite its superficial persuasiveness , is mis- leading . For example , the early critics of Shelley's Alastor ...
81 ページ
... called and few are chosen , And the few grow many as ages lapse : But when will the many grow few : what dozen Is fused into one by Time's hammer - taps ? A bare brown stone in a babbling brook : - It was wanton to hurl it there , you ...
... called and few are chosen , And the few grow many as ages lapse : But when will the many grow few : what dozen Is fused into one by Time's hammer - taps ? A bare brown stone in a babbling brook : - It was wanton to hurl it there , you ...
166 ページ
... called the sense of musical delight was the distinguishing mark of a poet . Poe's intuitive divination of the paths that poetry was to follow has been noted by J. Isaacs , 1 who quotes from a review of Moore's poems in which Poe speaks ...
... called the sense of musical delight was the distinguishing mark of a poet . Poe's intuitive divination of the paths that poetry was to follow has been noted by J. Isaacs , 1 who quotes from a review of Moore's poems in which Poe speaks ...
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