Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
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... Antonio herself rather than being sacrificed for him . " This bond doth give thee here no jot of blood ; / The words expressly are ' a pound of flesh " ( 4.1.304-5 ) . Thus reading very literally the words that Shylock and Antonio ...
... Antonio herself rather than being sacrificed for him . " This bond doth give thee here no jot of blood ; / The words expressly are ' a pound of flesh " ( 4.1.304-5 ) . Thus reading very literally the words that Shylock and Antonio ...
199 ページ
... Antonio is a big operator , but also suggests that he is overextending himself . When noted at all , this overextension is usually taken as a mere donnée of the plot , yet the play offers answers if we seek to know why Antonio should ...
... Antonio is a big operator , but also suggests that he is overextending himself . When noted at all , this overextension is usually taken as a mere donnée of the plot , yet the play offers answers if we seek to know why Antonio should ...
201 ページ
... Antonio , and evidently can raise no money except from loving and forbearing friends ; Antonio has ventured his clearly very considerable fortune at sea or has generously given it away ; Bassanio offers him a chance to recoup an ...
... Antonio , and evidently can raise no money except from loving and forbearing friends ; Antonio has ventured his clearly very considerable fortune at sea or has generously given it away ; Bassanio offers him a chance to recoup an ...
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young