Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
この書籍内から
検索結果1-3 / 82
105 ページ
... Elizabethan audiences . Kirsch- baum and others have pointed out that there were no Jewish communities in England in Shakespeare's time , and that the playwright's attitude toward Jews was based on the stereotypical Jewish figure as ...
... Elizabethan audiences . Kirsch- baum and others have pointed out that there were no Jewish communities in England in Shakespeare's time , and that the playwright's attitude toward Jews was based on the stereotypical Jewish figure as ...
217 ページ
... Elizabethan Politics , " Elizabethan Gov- ernment and Society , eds . S. T. Bindoff , J. Hurstfield , and C. H. Williams ( London : Univ . of London , The Athlone Press , 1961 ) , pp . 97-125 . For a discussion of prestation and ...
... Elizabethan Politics , " Elizabethan Gov- ernment and Society , eds . S. T. Bindoff , J. Hurstfield , and C. H. Williams ( London : Univ . of London , The Athlone Press , 1961 ) , pp . 97-125 . For a discussion of prestation and ...
394 ページ
... Elizabethan dramatic conventions 4 : 53 , 124 Guiderius and Arviragus 4 : 21 , 22 , 89 , 129 , 141 , 148 ; 25 : 319 ... Elizabethan culture , relation to 1 : 76 , 148 , 151 , 154 , 160 , 166 , 169 , 171 , 176 , 184 , 202 , 209 , 254 ; 13 ...
... Elizabethan dramatic conventions 4 : 53 , 124 Guiderius and Arviragus 4 : 21 , 22 , 89 , 129 , 141 , 148 ; 25 : 319 ... Elizabethan culture , relation to 1 : 76 , 148 , 151 , 154 , 160 , 166 , 169 , 171 , 176 , 184 , 202 , 209 , 254 ; 13 ...
他の版 - すべて表示
多く使われている語句
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young