Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
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... castration or emascu- lation . This association has undoubtedly been influ- enced by the theories of Sigmund Freud , who , in an argument that bears a striking resemblance to Maria Edgeworth's ideas about childhood trauma and the ...
... castration or emascu- lation . This association has undoubtedly been influ- enced by the theories of Sigmund Freud , who , in an argument that bears a striking resemblance to Maria Edgeworth's ideas about childhood trauma and the ...
191 ページ
... castration . If we venture to carry our conjectures back to the primaeval days of the human race we can surmise that originally circumci- sion must have been a milder substitute , designed to take the place of castration " ( vol . 11 ...
... castration . If we venture to carry our conjectures back to the primaeval days of the human race we can surmise that originally circumci- sion must have been a milder substitute , designed to take the place of castration " ( vol . 11 ...
350 ページ
... castration , Proteus is completing Valentine's project of withdrawing phallic power from her and with it her elevation , privilege , and voice . When Valentine sees Proteus erupt into a violence in which he himself is implicated , the ...
... castration , Proteus is completing Valentine's project of withdrawing phallic power from her and with it her elevation , privilege , and voice . When Valentine sees Proteus erupt into a violence in which he himself is implicated , the ...
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young