Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
この書籍内から
検索結果1-3 / 81
vii ページ
... essays that discuss this theme with reference to all of Shakespeare's works . Following the topic entry are several ... essay or excerpt . In the case of excerpted criticism , only those footnotes that pertain to the excerpted text are ...
... essays that discuss this theme with reference to all of Shakespeare's works . Following the topic entry are several ... essay or excerpt . In the case of excerpted criticism , only those footnotes that pertain to the excerpted text are ...
75 ページ
... ( essay date 1985 ) SOURCE : " Gender and Genre in Antony and Cleo- patra , " in Broken Nuptials In Shakespeare's Plays , University of Illinois Press , 1994 , pp . 136-65 . [ In the following essay originally published in 1985 , Neely ...
... ( essay date 1985 ) SOURCE : " Gender and Genre in Antony and Cleo- patra , " in Broken Nuptials In Shakespeare's Plays , University of Illinois Press , 1994 , pp . 136-65 . [ In the following essay originally published in 1985 , Neely ...
127 ページ
... ( essay date 1990 ) SOURCE : " The Ideology of The Merchant of Venice , " in English Literary Renaissance , Vol . 20 , No. 3 , Au- tumn , 1990 , pp . 431-64 . [ In the following essay , Ferber surveys the play from an ideological ...
... ( essay date 1990 ) SOURCE : " The Ideology of The Merchant of Venice , " in English Literary Renaissance , Vol . 20 , No. 3 , Au- tumn , 1990 , pp . 431-64 . [ In the following essay , Ferber surveys the play from an ideological ...
他の版 - すべて表示
多く使われている語句
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young