Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
この書籍内から
検索結果1-3 / 36
15 ページ
... feel in these heroines is in an Other quite apart from her relation- ship to the desires of the Self - which is to say , apart from the fact of masculine unfulfillment . In comedy we are always sure of getting what we want , so mas ...
... feel in these heroines is in an Other quite apart from her relation- ship to the desires of the Self - which is to say , apart from the fact of masculine unfulfillment . In comedy we are always sure of getting what we want , so mas ...
41 ページ
... feel the horror of his cruel deeds - yet it is he who murders the babe of pity within himself as the play proceeds . The urges con- flicting within him , the urges to kill and to nurture that infant self , are evenly matched and ...
... feel the horror of his cruel deeds - yet it is he who murders the babe of pity within himself as the play proceeds . The urges con- flicting within him , the urges to kill and to nurture that infant self , are evenly matched and ...
113 ページ
... feel its spell directly . Unlike the other suitors , Bassanio does not ponder each casket in turn , but his speech suggests that he is drawn without foreseeing it to his conclusion at the leaden casket . His gravity and intentness of ...
... feel its spell directly . Unlike the other suitors , Bassanio does not ponder each casket in turn , but his speech suggests that he is drawn without foreseeing it to his conclusion at the leaden casket . His gravity and intentness of ...
他の版 - すべて表示
多く使われている語句
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young