Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
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... Lady Macbeth's " thick - coming fancies . " The feminine , as the play depicts it , is a chaos of physical as well as moral elements , deviously invit- ing men to their destruction by confusion rather than direct attack . In imagery ...
... Lady Macbeth's " thick - coming fancies . " The feminine , as the play depicts it , is a chaos of physical as well as moral elements , deviously invit- ing men to their destruction by confusion rather than direct attack . In imagery ...
243 ページ
... Lady who is celebrated as " lovely and . . . temperate " ( 1.2 ) ? The tortured and tortuous love staged in the later sonnets may be but one of several responses to her . And the image of the Dark Lady herself which emerges from the ...
... Lady who is celebrated as " lovely and . . . temperate " ( 1.2 ) ? The tortured and tortuous love staged in the later sonnets may be but one of several responses to her . And the image of the Dark Lady herself which emerges from the ...
260 ページ
... lady , but it is less radically threatening . Just as it is possible for the " large and spacious " lady to think all her lovers " but one , and me in that one , " so the fair youth , too , is a place where the elite meet . " All love's ...
... lady , but it is less radically threatening . Just as it is possible for the " large and spacious " lady to think all her lovers " but one , and me in that one , " so the fair youth , too , is a place where the elite meet . " All love's ...
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young