Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
この書籍内から
検索結果1-3 / 79
56 ページ
... less moral keenness and less honesty when the subterfuge is discovered . In Ford's The Lover's Melancholy , or Brome's A Mad Couple Well Match'd , or Suckling's Brennoralt or Shirley's The Sisters , ladies disappointed by suitors turned ...
... less moral keenness and less honesty when the subterfuge is discovered . In Ford's The Lover's Melancholy , or Brome's A Mad Couple Well Match'd , or Suckling's Brennoralt or Shirley's The Sisters , ladies disappointed by suitors turned ...
258 ページ
... less strong , less central , or , certainly , less valued ethically than the bond with the desired female . However , I am saying that within the world sketched in these sonnets , there is not an equal opposition or a choice posited ...
... less strong , less central , or , certainly , less valued ethically than the bond with the desired female . However , I am saying that within the world sketched in these sonnets , there is not an equal opposition or a choice posited ...
361 ページ
... less so Valentine's for him . Even Proteus's weakness ( that he is a lover ) stands in contrast to Valentine as we originally see him ( free of Proteus's love - sickness ) . Significantly , it is only when Valentine turns from Proteus ...
... less so Valentine's for him . Even Proteus's weakness ( that he is a lover ) stands in contrast to Valentine as we originally see him ( free of Proteus's love - sickness ) . Significantly , it is only when Valentine turns from Proteus ...
他の版 - すべて表示
多く使われている語句
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young