Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
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... mother's conception of him , and has a false , automatic , inhuman quality , partly because it has been implanted in ... mother who has refused to allow him a self . His identity is based on an abstraction of Roman force and on his love ...
... mother's conception of him , and has a false , automatic , inhuman quality , partly because it has been implanted in ... mother who has refused to allow him a self . His identity is based on an abstraction of Roman force and on his love ...
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... mother becomes subordinate . Jacobson holds that such same - sex iden- tification with one who , at the same time , is beginning to be perceived as a rival for the mother's love pro- motes " testing of external objects and of his own ...
... mother becomes subordinate . Jacobson holds that such same - sex iden- tification with one who , at the same time , is beginning to be perceived as a rival for the mother's love pro- motes " testing of external objects and of his own ...
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... mother / child relationship , and particularly mother / daughter , is frequently the crowning glory of the comic ending . For too long , this fact has been obscured by the con- ventional critical focus on father / daughter reunions ...
... mother / child relationship , and particularly mother / daughter , is frequently the crowning glory of the comic ending . For too long , this fact has been obscured by the con- ventional critical focus on father / daughter reunions ...
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young