Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
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... reader is a possible , even legitimate restriction , but a big one . It leaves out not only the common reader but most un- common ones as well . Is a rhetorical poetic necessary ? What is it good at describing ? Just its two extremes ...
... reader is a possible , even legitimate restriction , but a big one . It leaves out not only the common reader but most un- common ones as well . Is a rhetorical poetic necessary ? What is it good at describing ? Just its two extremes ...
265 ページ
... reader band together in looking at " them . " The protagonists of the story exist somewhere else , in a fictional place and time that are home to neither storyteller nor reader . In Beaumont's " Salmacis and Hermaphroditus , " the most ...
... reader band together in looking at " them . " The protagonists of the story exist somewhere else , in a fictional place and time that are home to neither storyteller nor reader . In Beaumont's " Salmacis and Hermaphroditus , " the most ...
304 ページ
... reader's mind . The metaphoric dimension of language in which Shake- speare excels involves the reader in selecting and sub- stituting linguistic elements at almost each point in the linear chain of words . A poet who emphasizes this ...
... reader's mind . The metaphoric dimension of language in which Shake- speare excels involves the reader in selecting and sub- stituting linguistic elements at almost each point in the linear chain of words . A poet who emphasizes this ...
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young