Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
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... tell Troi- lus's tale of feminine treachery rather than her own story of male violence . Discursive strategies recuper- ate the subversive potential of the speech , turning Cressida's analysis of male desire into a source of eroticized ...
... tell Troi- lus's tale of feminine treachery rather than her own story of male violence . Discursive strategies recuper- ate the subversive potential of the speech , turning Cressida's analysis of male desire into a source of eroticized ...
52 ページ
... tell quaint lies How honourable ladies sought my love , Which I denying , they fell sick and died : I could not do withal : -then I'll repent , And wish for all that , that I had not kill'd them ; And twenty of these puny lies I'll tell ...
... tell quaint lies How honourable ladies sought my love , Which I denying , they fell sick and died : I could not do withal : -then I'll repent , And wish for all that , that I had not kill'd them ; And twenty of these puny lies I'll tell ...
199 ページ
... tell me now what lady is the same To whom you swore a secret pilgrimage— That you to - day promis'd to tell me of ? ( I.i.119 ) Antonio has known , then , for an unspecified time , that Bassanio intends to woo a lady , and awaits ...
... tell me now what lady is the same To whom you swore a secret pilgrimage— That you to - day promis'd to tell me of ? ( I.i.119 ) Antonio has known , then , for an unspecified time , that Bassanio intends to woo a lady , and awaits ...
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young