Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 40 巻Gale Research Company, 1984 |
この書籍内から
検索結果1-3 / 82
188 ページ
... true story , from which Shakespeare took the plot of The Merchant of Venice , it was a Christian who acted the part of the Jew , and the Jew that of the Christian . It was a Christian who insisted upon having the pound of flesh from ...
... true story , from which Shakespeare took the plot of The Merchant of Venice , it was a Christian who acted the part of the Jew , and the Jew that of the Christian . It was a Christian who insisted upon having the pound of flesh from ...
227 ページ
... true love . Or , if writing again is the only undeniable real- ity , if true love really is a delusion - and the previous one hundred fifteen sonnets have shown Shakespeare's love shaken , removed , unfixed , full of nothing but ...
... true love . Or , if writing again is the only undeniable real- ity , if true love really is a delusion - and the previous one hundred fifteen sonnets have shown Shakespeare's love shaken , removed , unfixed , full of nothing but ...
269 ページ
... true love , but it also suggests that there is an absolute source of truth , the transcendent light of heaven's heir . The dichotomy of possibilities is perfectly encoded in the most famous line of the sonnet , " O let me true in loue ...
... true love , but it also suggests that there is an absolute source of truth , the transcendent light of heaven's heir . The dichotomy of possibilities is perfectly encoded in the most famous line of the sonnet , " O let me true in loue ...
他の版 - すべて表示
多く使われている語句
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young