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Of sackcloth was thy wedding garment made;
Thy bridal's fruit in ashes: in the dust

The fair-haired Daughter of the Isles is laid,
The love of millions! How we did entrust
Futurity to her! and, though it must

Darken above our bones, yet fondly deem'd

Our children should obey her child, and bless'd

Her and her hoped-for seed, whose promise seem'd Like stars to shepherd's eyes :-'twas but a meteor beam'd.

Woe unto us, not her; for she sleeps well:
The fickle reek of popular breath, the tongue
Of hollow counsel, the false oracle,

Which from the birth of monarchy hath rung
Its knell in princely ears, till the o'erstung
Nations have arm'd in madness, the strange fate

Which tumbles mightiest sovereigns, and hath flung
Against their blind omnipotence a weight

Within the opposing scale, which crushes soon or late,—

These might have been her destiny; but no, Our hearts deny it: and so young, so fair, Good without effort, great without a foe; But now a bride and mother-and now there! How many ties did that stern moment tear! From thy Sire's to his humblest subject's breast Is linked the electic chain of that despair, Whose shock was as an earthquake's, and opprest The land which loved thee so that none could love thee best.

FOURTH CANTO OF CHILDE HAROLD.

CONCLUSION.

Walter Scott.

CALL it not vain they do not err,
Who say, that when the Poet dies,
Mute Nature mourns her worshipper,
And celebrates his obsequies;
Who say, tall cliff, and cavern lone,
For the departed bard make moan;
That mountains weep in crystal rill;
That flowers in tears of balm distil;
Through his loved groves that breezes sigh,
And oaks, in deeper groan, reply;
And rivers teach the rushing wave
To murmur dirges round his grave.

Not that, in sooth, o'er mortal urn
Those things inanimate can mourn;
But that the stream, the wood, the gale,
Is vocal with the plaintive wail
Of those, who, else forgotten long,
Lived in the poet's faithful song,
And, with the poet's parting breath,
Whose memory feels a second death.
The maid's pale shade, who wails her lot,
That love, true love, should be forgot,
From rose and hawthorn shakes the tear
Upon the gentle minstrel's bier :
The phantom knight, his glory fled,

Mourns o'er the field he heaped with dead;

Mounts the wild blast that sweeps amain,
And shrieks along the battle-plain :
The chief whose antique crownlet long
Still sparkled in the feudal song,

Now, from the mountain's misty throne,
Sees, in the thanedom once his own,
His ashes undistinguished lie,

His place, his power, his memory die:
His groans the lonely caverns fill,
His tears of rage impel the rill;

All mourn the minstrel's harp unstrung,

Their name unknown, their praise unsung,

LAY OF THE LAST MINSTREL.

FINIS.

JOHN STACY, PRINTER, NORWICH.

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