Selected Essays of Fletcher (c)University of Arkansas Press |
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... less than a revolu- tion in the arts : modernism . No one can be quite sure as to how and why modernism happened , and , as is the case with the equally prob- lematic term romanticism , satisfactory definitions have proved impos- sible ...
... less than a revolu- tion in the arts : modernism . No one can be quite sure as to how and why modernism happened , and , as is the case with the equally prob- lematic term romanticism , satisfactory definitions have proved impos- sible ...
14 ページ
... less pure — and hence more universal — art than any I have yet examined . For it must be apparent to all minds that not only is a word a definite symbol of some fact , but also it is a thing capable of being spoken or sounded . The art ...
... less pure — and hence more universal — art than any I have yet examined . For it must be apparent to all minds that not only is a word a definite symbol of some fact , but also it is a thing capable of being spoken or sounded . The art ...
15 ページ
... less a circle , although not drawn with compasses , so poetic circles can be constructed out of subtler and more musical curves than that which painstakingly follows the selfsame progression of beats , and 15 PREFACE TO GOBLINS AND PAGODAS.
... less a circle , although not drawn with compasses , so poetic circles can be constructed out of subtler and more musical curves than that which painstakingly follows the selfsame progression of beats , and 15 PREFACE TO GOBLINS AND PAGODAS.
16 ページ
... less beautiful , less satisfying , and less conclusive a test of artistic ability than the composition of satyrs and of maenads struggling about the center . Therefore I maintain , and will continue to do so , that the mere craftsman ...
... less beautiful , less satisfying , and less conclusive a test of artistic ability than the composition of satyrs and of maenads struggling about the center . Therefore I maintain , and will continue to do so , that the mere craftsman ...
19 ページ
... musicians have given this subject less attention than the painters , and therefore our knowledge concerning the relations of color and sound is more fragmentary and incomplete . Nevertheless 19 PREFACE TO GOBLINS AND PAGODAS.
... musicians have given this subject less attention than the painters , and therefore our knowledge concerning the relations of color and sound is more fragmentary and incomplete . Nevertheless 19 PREFACE TO GOBLINS AND PAGODAS.
目次
10 | |
13 | |
22 | |
28 | |
54 | |
Appreciations of Individual Writers | 83 |
Three Imagist Poets 1976 | 85 |
Conrad AikenMetaphysical Poet 1919 | 105 |
Ezra Pound 1929 | 169 |
The Modern Southern Poets 1935 | 180 |
Herald of Imagism 1936 | 205 |
Essays on Art and Philosophy | 219 |
The Secret of Far Eastern Painting 1917 | 221 |
The Future of Art 1925 | 229 |
The Key to Modernist Painting 1928 | 233 |
East and West 1928 | 238 |
Some Contemporary American Poets 1920 | 109 |
William Blake 1923 | 137 |
The Spirit of Thomas Hardy 1924 | 148 |
Walt Whitman 1924 | 158 |
Notes | 255 |
Index | 257 |
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achievement aesthetic Aiken Aldington Allen Tate already American poets Amy Lowell artist attempt beauty become Blake Blake's called century Cézanne Chinese poets color complete Conrad Aiken critical culture Damon drama early emotion England English essay etry Europe experience Ezra Pound F. S. Flint fact feeling Fletcher Flint free verse French Frost Greek Hardy's human imagination Imagism Imagists influence Japanese John Gould Fletcher language later lines literary literature lives Lowell's Massis means metaphysical metrical mind Miss Lowell modern modernist movement nature never Oriental painting perhaps personality philosophy picture poem poetic poetry present prose pure question Ransom reality rhyme rhythm romantic Sandburg seems sense Shelley song Southern poets subject matter Symphony T. E. Hulme T. S. Eliot theme thing Thomas Hardy thought tion tradition translations vers libre volume West Western Whitman words writing written
人気のある引用
52 ページ - What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
164 ページ - Sail forth — steer for the deep waters only, Reckless O soul, exploring, I with thee, and thou with me, For we are bound where mariner has not yet dared to go, And we will risk the ship, ourselves and all.
67 ページ - The image is not an idea. It is a radiant node or cluster; it is what I can, and must perforce, call a VORTEX, from which, and through which, and into which, ideas are constantly rushing.
164 ページ - Greater than stars or suns, Bounding O soul thou journeyest forth ; What love than thine and ours could wider amplify? What aspirations, wishes, outvie thine and ours O soul? What dreams of the ideal? what plans of purity, perfection. strength ? What cheerful willingness for others...
164 ページ - Allonsl to that which is endless as it was beginningless, To undergo much, tramps of days, rests of nights, To merge all in the travel they tend to, and the days and nights they tend to, Again to merge them in the start of superior journeys, To see nothing anywhere but what you may reach it and pass it...
60 ページ - Poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as was possible in a selection of language really used by men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual aspect...
43 ページ - The heavens declare the glory of God: And the firmament showeth His handiwork. Day unto day uttereth speech: And night unto night showeth knowledge. There is no speech nor language: Where their voice is not heard.
107 ページ - It is morning, Senlin says, and in the morning When the light drips through the shutters like the dew, I arise, I face the sunrise, And do the things my fathers learned to do. Stars in the purple dusk above the rooftops Pale in a saffron mist and seem to die, And I myself on a swiftly tilting planet Stand before a glass and tie my tie.
111 ページ - BETWEEN me and the sunset, like a dome Against the glory of a world on fire, Now burned a sudden hill, Bleak, round, and high, by flame-lit height made higher, With nothing on it for the flame to kill Save one who moved and was alone up there To loom before the chaos and the glare As if he were the last god going home Unto his last desire.