Modern Painters.-5 volJ. Wiley & Son, 1866 |
この書籍内から
検索結果1-5 / 37
28 ページ
... proportion , the co- herence of a chain of reasoning , or the power of bestowing pleas- ure which objects receive from association , a power confessedly great , and interfering , as we shall presently find , in a most em- barrassing way ...
... proportion , the co- herence of a chain of reasoning , or the power of bestowing pleas- ure which objects receive from association , a power confessedly great , and interfering , as we shall presently find , in a most em- barrassing way ...
35 ページ
... proportion therefore to the value , constancy , and efficiency of this influence , we must be modest and cautious in the pronouncing of positive opinions on the subject of beauty . For every one of us has pe- culiar sources of enjoyment ...
... proportion therefore to the value , constancy , and efficiency of this influence , we must be modest and cautious in the pronouncing of positive opinions on the subject of beauty . For every one of us has pe- culiar sources of enjoyment ...
40 ページ
... art , in which this expression of infinity is possible , can be perfect , or supremely elevated without it , and that , in proportion to its presence , it will exalt and render impressive 40 [ PART IIL OF TYPICAL BEAUTY .
... art , in which this expression of infinity is possible , can be perfect , or supremely elevated without it , and that , in proportion to its presence , it will exalt and render impressive 40 [ PART IIL OF TYPICAL BEAUTY .
46 ページ
... proportion to the space over which gradation extends , sand to its invisible subtilty , is its grandeur , and in proportion to its narrow limits and violent degrees , its vulgarity . In Correggio , it is morbid and vulgar in spite of ...
... proportion to the space over which gradation extends , sand to its invisible subtilty , is its grandeur , and in proportion to its narrow limits and violent degrees , its vulgarity . In Correggio , it is morbid and vulgar in spite of ...
56 ページ
... proportion . From the confusion of these two kinds of pro- portion have arisen the greater part of the erroneous conceptions of the influence of either . it Apparent proportion , or the sensible relation of quantities , is one of the ...
... proportion . From the confusion of these two kinds of pro- portion have arisen the greater part of the erroneous conceptions of the influence of either . it Apparent proportion , or the sensible relation of quantities , is one of the ...
多く使われている語句
Abstrac Adamite agreeable angel Angelico animal appear Benozzo Gozzoli bodily body Brera Gallery Chap character Christ clouds color conceive conception Correggio creature degree delight dependent desire dignity Divine Doge's palace effect evident evil expression fancy farther fear feeling Fra Angelico Fra Bartolomeo fulness function Gentile Bellini Giorgione Giotto glory gradation hand heart human ideal ideas of beauty imperfection impressions instance intellect kind landscape Laocoon less light look lower Madonna Masaccio matter ment Michael Angelo mind Mino da Fiesole modes moral mountains nature necessary ness never noble object observed operation painful painted painter passion perception perfect Perugino picture Pinturicchio Pitti palace pleasure present proportion pure purity Raffaelle reader received repose respecting rightly seen sense sensual signs spirit sublime suppose sympathy taste theoretic faculty things Tintoret tion Titian trees trunk truth typical beauty unity Venice
人気のある引用
40 ページ - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
167 ページ - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
85 ページ - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.
111 ページ - ... cheek, Thy temples fringed with locks of gleaming white, And head that droops because the soul is meek, Thee with the welcome Snowdrop I compare ; That child of Winter, prompting thoughts that climb From desolation toward the genial prime ; Or with the Moon conquering earth's misty air, And filling more and more with crystal light As pensive Evening deepens into night.
55 ページ - ... and only such weak back and baby grasp given to our intellect as that " the best things we do are painful, and the exercise of them grievous, being continued without intermission, so as in those very actions whereby we are especially perfected in this life we are not able to persist.
165 ページ - The imagination sees the heart and inner nature, and makes them felt, but is often obscure, mysterious, and interrupted, in its giving of outer detail.
4 ページ - He hath made every thing beautiful in his time: also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.
68 ページ - What other yearning was the master tie Of the monastic brotherhood, upon rock Aerial, or in green secluded vale, One after one, collected from afar, An undissolving fellowship ? — What but this, ' The universal instinct of repose, The longing for confirmed tranquillity, Inward and outward ; humble, yet sublime : The life where hope and memory are as one ; Earth quiet and unchanged ; the human soul Consistent in self-rule ; and heaven revealed To meditation in that quietness...
132 ページ - On every corse there stood. This seraph-band, each waved his hand; It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart — No voice; but oh!
174 ページ - The stone which the builders refused is become the head-stone of the corner. This is the Lord's doing; it is marvellous in our eyes.