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and all other elements, confounded together ; and you may reflect till you begin almost to wonder how an individual retains even the same essence through. all the diversities, vicissitudes, and counteractions of influence, that operate on it during its progress through the confusion. But though its essence is the same, and might defy an universe to extinguish, absorb, or change it; its modification, its condition, and habits, will shew where it has been, and what it has undergone. You may descry on it the marks and colours of many of the things by which, in passing, it has been touched or arrested.

Consider the number of meetings with acquaintances, friends, or strangers; the number of conversations you have held or heard ; the number of exhibitions of good or evil, virtue or vice; the number of occasions on which you have been disgusted or pleased, moved to admiration or to abhorrence; the number of times that you have contemplated the town, the rural cottage, or verdant fields ; the number of volumes that you have read ; the times that you have looked over the premeni siate of the world, or gone by means of history into past ages ; the number of comparisons of yourself with other persons, alive or dead, and comparisons of them with one another, the number of solitary musings, of solemn contemplations of night, of the successive subjects of thought, and of animated sentiments that have been kindled and extinguished. Add all the hours and causes of sorrow that you have known.

Through this lengthened, and, if the number could be told, stupendous, multiplicity of things, you have advanced, while all their heterogeneous myriads have darted influences upon you, each one of them having some definable tendency. A traveller round the

globe would not meet a greater variety of seasons, · prospects, and winds, than you might have recorded of the circumstances affecting the progress of your character, in your moral journey. You could not wish to have drawn to yourself the agency of a vaster

diversity of causes; you could not wish, on the supposition that you had gained advantage from all these, to wear the spoils of a greater number of regions. The formation of the character from so many materials reminds one of that mighty appropriating attraction, which, on the hypothesis that the resurrection shall re-assemble the same particles which composed the body before, will draw them from dust, and trees, and animals, and ocean, and winds.

Chapter III.
DIDACTIC PIECES.

Section 1.
ON STUDY.

Studies serve for delight, for ornament, and for ability. The chief use for delight, is in privateness and retirement; for ornament, is in discourse ; and for ability is in the judgement and disposition of business. For expert men can execute, and perhaps judge of particulars one by one ; but the general counsels, and the plots, and marshalling of affairs, come best from those that are learned. To spend too much time in studies is sloth ; to use them too much for ornament is affectation ; to make judgment wholly by their rules is the humour of a scholar, They perfect natuse, and are perfected by experience ; for natural abilities are like natural plants, that need pruning by duty, and studies themselves do give forth directions too much at large, except they be bounded in by experience. Crafty men contemn studies, simple men admire them, and wise men use them : for they teach not what is their own use, but what is wis

dom without them, and above them, won by observation. Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested ; that is, some books are to be read only in parts; others to be read, but not curiously ; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that should only be in the less important arguments, and the meaner sort of books; else distilled books are like common distilled waters, flashy things. Reading makes a full man ; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory ; if he confer little, he had need have a present wit ; and if he read little, he had need have much cunning to seem to know that he doth not.

-...in Section II.
HAMLET'S DIRECTIONS TO THE

PLAYERS.

Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it as many of our players do, I had as leif the towncrier had spoken my lines. And do not saw the air too much with your hand thus, but use all gently; for in the very torrent, tempest, and, as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. Oh ! it offends me to the soul, to hear a robusteous periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the

most part, are capable of nothing but inexplicable | dumb shows and noise ; I would have such a fellow

whipt for overdoing Termagent, it out-Herods He. rod; pray you avoid it.

Be not too tame neither ; but let vour own discre« tion be your tutor. Suit the action to the word, the word to the action ; with this special observance, that you o'erstep not the modesty of nature : for any thing so overdone is from the purpose of nature; whose end, both at the first and now, was apd is, to hold as 'twere the mirror up to nature ; to show Virtue her own feature : Scorn her own image, and the very age and body of the Time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of one of which, must in your allowance overweigh a whole theatre of others. Oh there be players that I have seen play, and heard others praise and that highly too, (not to speak it profanely, that neither having the action of christian, nor the gait of christian, pagan nor man, have so strutted and bellowed, that I have thought some of Nature's journey. men had made men, and not made them well; they imitated humanity so abominably.

And let those that play your clowns, speak no more than is set down for them : for there be of them that will themselves laugh, to set on some quantity cf barren spectators to laugh too ; though in the mean time, some necessary part of the play be then to be considered. That's villainous, and shows a most pitiful ambition in the fool that uses it.

Section III.
ELOQUENCE AND ORATORY.

Eloquence may be defined to be the art of expressing our thoughts and feelings with precision, force, and elegance ; and of heightening the impressions of reason, by the colouring of imagination.

It is applicable, therefore, to the whole faculty of verbal discourse, whether oral or written. It addresses itself by the pen to the eye, as well as by the living organs to the ear. Thus we speak (with admitted accuracy) of an eloquent book, as freely as of an eloquent oration ; of the eloquent Buffon (alluding to his celebrated work on natural history ;) and of the eloquent writings, as of the eloquent speeches of Edmund Burke. T'he apostrophe to the queen of France is as genuine a piece of eloquence, as if it had been spoken in the House of Commons.

Oratory, on the contrary, is precise and limited in its application : and, in this respect, indeed, even popular usage is pretty generally correct. It may be de. fined to be oral eloquence; or the art of communicating, by the immediate action of the vocal and expressive organs, to popular or select assemblies, the dictates of our reason, or our will, and the workings of our passions, our feelings and our imaginations.

Oratory, therefore, includes the idea of eloquence : for no man can be an orator who has not an affluence of thought and language. But eloquence does not necessarily include the idea of oratory : 'since a man may be rich in all the stores of language and thought, without possessing the advantages of a graceful and impressive delivery.

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