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cret sympathy, the soul catches the harmony which she contemplates; and the frame within assimilates itself to that without. In this state of sweet composure, we become susceptible of virtuous impressions, from almost every surrounding object. The patient ox is viewed with generous complacency: the guileless sheep with pity; and the playful lamb with emotions of tenderness and love. We rejoice with the horse in his liberty and exemptions from toil, while he ranges at large through enamelled pastures. We are charmed with the songs of birds, soothed with the buz of insects, and pleased with the sportive motions of fishes, because these are expressions of enjoyment; and, having felt a common interest in the gratifications of inferior beings, we shall be no longer indifferent to their sufferings, or become wantonly instrumental in producing them.

I tell you truly and sincerely, that I will judge of your parts, by your speaking gracefully or ungracefully. If you have parts, you will never be at rest till you have brought yourself to a habit of speaking most gracefully; for I aver that it is in your power. You will desire your Tutor, that you may read aloud to him every day; and that he will interrupt and correct you every time you read too fast, do not observe the proper stops, or lay a wrong emphasis. You will take care to open your teeth when you speak, to articulate every word distinctly, and to beg of any friend you converse with, to remind you if ever you fall into the rapid and unintelligible mutter. will even read loud to yourself, and tune your utterance to your own ear; and read at first much slower than you need do, in order to correct that shameful habit of speaking faster than you ought. In short, you will make it your business, your study, and your pleasure, to speak well if you think right. Therefore what I have said is more than sufficient, if you have sense; and ten times more would not be sufficient, if you have not; so here I rest it.

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The cultivation of Taste is recommended, by the happy effects which it naturally tends to produce on human life. The most busy man, in the most active sphere, cannot be always occupied in business. Men of various professions cannot always be on the stretch of serious thought. Neither can the most gay and flourishing situation of fortune, afford any man the power of filling all his hours with pleasure. Life must languish in the hands of the idle. It will frequently languish in the hands of the busy, if they have not some employment subsidiary to that which forms their main pursuit. How then shall those vacant spaces, those unemployed intervals, which, more or less, occur in the life of every one, be filled up? How can we contrive to dispose of them in any way that shall be more agreeable in itself, or more consonant to the dignity of the human mind, than in the entertainment of Taste, and the study of polite literature? He who is so happy as to have acquired a relish for them, has always at hand an innocent and irreproachable amusement for his leisure hours, to save him from the danger of many a pernicious passion. He is not in hazard of being a burden to himself. He is not obliged to fly to low company, or to court the riot of loose pleasures, in order to cure the tediousness of existence.

Section IV.

Taste and genius are two words frequently joined together; and therefore, by inaccurate thinkers, confounded. They signify however, two quite different things. Taste consists in the power of judging; Genius is the power of executing. One may have a considerable degree of Taste in Poetry, Eloquence, or any of the fine arts, who has little or hardly any Genius for composition or execution in any of those

arts; but Genius cannot be found without including Taste also. Genius, therefore, deserves to be considered as a higher power of the mind than Taste. Genius always imports something inventive or creative; which does not rest in mere sensibility to beauty where it is perceived, but which can, moreover, produce new beauties, and exhibit them in such a manner, as strongly to impress the minds of others. Refined Taste forms a good critic; but Genius is far ther necessary to form the poet or the orator.

The Beauty of the human countenance, includes the Beauty of colour, arising from the delicate shades of the complexion; and the Beauty of figure, arising from the lines which form the different features of the face. But the chief Beauty of the countenance depends upon a mysterious expression, which it conveys of the qualities of the mind; of good sense, or good humour; of sprightliness, candour, benevolence, sensibility, or other amiable dispositions. How it comes to pass, that a certain conformation of features is connected in our idea with certain moral qualities; whether we are taught by instinct, or experience, to form this connection, and to read the mind in the countenance, is not easy to resolve. The fact is certain, and acknowledged, that what gives the human countenance its most distinguishing Beauty, is what is called its expression; or an image, which it is conceived to show of internal moral dispositions.

The advantages of Writing above Speech are, that Writing is both a more extensive, and a more permanent method of communication. More extensive, as it is not confined within the narrow circle of those who hear our words; but by means of written characters, we can send our thoughts abroad, and propagate them through the world; we can lift our voice, so as to speak to the most distant regions of the earth. More permanent also, as it prolongs this voice to the most distant ages; it gives us the means of re

cording our sentiments to futurity, and of perpetuating the instructive memory of past transactions. It likewise affords this advantage to such as read, above such as hear, that, having the written characters before their eyes, they can arrest the sense of the writer. They can pause, and resolve, and compare at their leisure, one passage with another : whereas, the voice is fugitive and passing: you must catch the words the moment they are uttered, or you lose them forever.

But although these be so great advantages of written Language, that Speech, without Writing, would have been very inadequate for the instruction of mankind, yet we must not forget to observe, that spoken language has a great superiority over written language, in point of energy or force. The voice of the living speaker makes an impression on the mind, much stronger than can be made by the perusal of any writing. The tones of the voice, the looks and gesture which accompany discourse, and which no writing can convey, render discourse when it is well managed, infinitely more clear, and more impressive, than the most accurate reading. For tones, looks, and gestures, are natural interpreters of the sentiments of the mind. They remove ambiguities; they enforce impression; they operate on us by means of sympathy, which is one of the most powerful instruments of persuasion. Our sympathy is always awakened more by hearing the speaker, than by reading his works in our closet. Hence, though writing may answer the purpose of mere instruction, yet all the great and high offices of eloquence must be made by means of spoken, not of written Language.

We have been eminently distinguished above most other nations by happy privileges and advantages. Providence has blessed us with an abundance of those things, which are usually thought to contribute to the public prosperity and happiness. Never had any H

people a fuller enjoyment of liberty; a profusion of wealth has flowed in upon us by our wide extended commerce. We have had great advantages for improvement in the arts and sciences, and every branch of useful knowledge; especially that which is the most valuable and important of all others, the knowledge of religion in its truth and purity. The light of the glorious Gospel of Christ, freed from the absurdities, the superstitions, and idolatries with which it has been incumbered in many other countries professing the Christian Faith, has long shone among us. The holy Scriptures are not locked up in an unknown tongue, nor confined to the studies of the learned, but are put into the hands of the people: so that all men may have access to that sacred rule of faith and practice, the original standard of the Christian religion. The treasures of knowledge are opened, and the public instruction so freely and frequently dispensed, that it may be said, that wisdom crieth without, she uttered her voice in the streets.

Cicero, in his works upon eloquence, particularly his conferences upon the character of an orator; strikes by his air, freedom, and dignity; Quintilian wins by his beauty, regularity, and address. Quintilian is less splendid but more elegant, he is less commanding but more attractive. If Cicero is instructive, Quintilian to instruction adds affability; and if he is inferior in genius to Cicero, he is equal to him in abilities, and superior to him in experience; I mean that experience that can be of the greatest service to a speaker in Britain. The stile of Cicero is clear, diffuse, and pathetic; that of Quintilian strong, concise, and expressive. If Cicero is more excellent in the disposition, Quintilian is more exquisite in the execution. Cicero's abilities were undoubtedly best fitted to guide the movements of government, those of Quintilian to determine a contest at the bar ; Cicero was more decisive in debate, but Quintilian more useful in pleading; the former could raise a

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