The Complete Works of William Shakespeare, 第 10 巻Harper, 1907 |
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xiii ページ
... doubt is left as to the per- sonage to whom the future will appeal - to whom per- 1 So in Act II , sc . i , L. 82 : " For selfsame wind that I should speak withal . " haps that future may belong . This personage is not [ xiii ] ...
... doubt is left as to the per- sonage to whom the future will appeal - to whom per- 1 So in Act II , sc . i , L. 82 : " For selfsame wind that I should speak withal . " haps that future may belong . This personage is not [ xiii ] ...
xvi ページ
... doubt as to the priority in date of the " Contention " and the " True Tragedie " to the Second and Third Parts of Henry VI ; " whereas Mr. Fleay advances the theory that the former two plays " consisted of surreptitious frag- ments ...
... doubt as to the priority in date of the " Contention " and the " True Tragedie " to the Second and Third Parts of Henry VI ; " whereas Mr. Fleay advances the theory that the former two plays " consisted of surreptitious frag- ments ...
xvii ページ
... doubt a much cruder and more primitive kind of versification , and a less effective as well as less ornate diction - and to have done this while the much superior old model was still in the remembrance of playgoers . This seems to me ...
... doubt a much cruder and more primitive kind of versification , and a less effective as well as less ornate diction - and to have done this while the much superior old model was still in the remembrance of playgoers . This seems to me ...
xxiv ページ
... doubt quite right in saying that " Marlowe's versification was at times largely under the influence of that traditional monotony of metrical structure from which Shakespeare was the first to break wholly free . " Unless , however , we ...
... doubt quite right in saying that " Marlowe's versification was at times largely under the influence of that traditional monotony of metrical structure from which Shakespeare was the first to break wholly free . " Unless , however , we ...
xxxi ページ
... doubt but that the three Parts of " Henry VI " are in question . No doubt it would be strange that Shakespeare should des- cribe as " our stage " a theatre other than the only one with which he is known to have been connected ; but , if ...
... doubt but that the three Parts of " Henry VI " are in question . No doubt it would be strange that Shakespeare should des- cribe as " our stage " a theatre other than the only one with which he is known to have been connected ; but , if ...
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多く使われている語句
ANNE battle Baynard's Castle blood brother BUCK Buckingham CATE Catesby CLAR Clarence CLIF Clifford cousin crown curse daughter dead death doth DUCH Duke of Gloucester Duke of York Earl Earl of Richmond Earl of Warwick ELIZ England Enter KING Exeunt Exit eyes father fear fight Folios read France friends gentle GLOU Gloucester grace GREY hand hath hear heart heaven Henry VI Henry's Holinshed honour house of Lancaster house of York infra King Edward King Henry Lady live look Lord Hastings madam Marlowe Montague mother MURD murder noble Norfolk old plays pity Plantagenet PRINCE Quartos Queen Margaret Ratcliff revenge RICH Richard Richmond SCENE Shakespeare shalt slain soldiers Somerset soul sovereign speak supra sweet tears tell thee thine thou art thou hast Tower True Tragedie uncle unto Warwick words