Shakespeare-characters; Chiefly Those SubordinateSmith, Elder & Company, 1863 - 521 ページ |
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... contrast than is presented to us in this scene , coming , as it does , against the previous reiterated stunnings of treachery , cruelty , and blood- guiltiness . The young Prince joyously exclaims : - " Macduff ! this noble passion ...
... contrast than is presented to us in this scene , coming , as it does , against the previous reiterated stunnings of treachery , cruelty , and blood- guiltiness . The young Prince joyously exclaims : - " Macduff ! this noble passion ...
44 ページ
... contrast the diffidence and touching emotion of his address to the two princesses — or rather of his reception of the words which they address to him . Afterwards , too , when we find him comforting , sustaining , and cheering the good ...
... contrast the diffidence and touching emotion of his address to the two princesses — or rather of his reception of the words which they address to him . Afterwards , too , when we find him comforting , sustaining , and cheering the good ...
60 ページ
... contrast . There is the Duke's — a serene wisdom of contentment , born of adversity in a placid nature : -there is the ostentatious mo- ralising and sententious dictatorialism of Jaques , —engen- dered by disgust of the world , when the ...
... contrast . There is the Duke's — a serene wisdom of contentment , born of adversity in a placid nature : -there is the ostentatious mo- ralising and sententious dictatorialism of Jaques , —engen- dered by disgust of the world , when the ...
90 ページ
... contrast with that of his victim , at the immediate point of time when he was about to put his plot in action . The apology Hamlet makes for his previous excitement towards the brother of Ophelia , at her grave , is conceived in the ...
... contrast with that of his victim , at the immediate point of time when he was about to put his plot in action . The apology Hamlet makes for his previous excitement towards the brother of Ophelia , at her grave , is conceived in the ...
91 ページ
Charles Cowden Clarke. Again , - " in contrast , " — the recognition of Yorick's skull , and the two men's characteristic associations with the same individual ; —the clown remembering him for a " pestilent mad rogue , who had poured a ...
Charles Cowden Clarke. Again , - " in contrast , " — the recognition of Yorick's skull , and the two men's characteristic associations with the same individual ; —the clown remembering him for a " pestilent mad rogue , who had poured a ...
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2d Act 3d Serv action affection ambition answer Antony Banquo bear Beatrice beauty Benedick brother Cæsar Caliban Cassio Celia character Clown conduct contrivance Coriolanus cousin coward death Desdemona doth drama Duke Enobarbus eyes faith Falconbridge Falstaff fancy father feeling fellow fool gentle give Hamlet happy hath hear heart Heaven honour Hotspur human humour husband Iago instinct Julius Cæsar king Lady Lear Leonato look lord Macbeth Malvolio master Master Doctor merry mind mistress moral murder nature never night noble Othello passion Percy perfect person philosophy play plot poet poet's Polonius Pompey poor prince Prince Harry qualities queen replies Richard Richard III Rosalind says scene sense Shakespeare Shylock soldier soul speak speech spirit sweet thee thing Thomas Carlyle thou art thought tion true turn Twelfth Night utter virtue whole wife Winter's Tale woman womanly women words worthy young