Neon Metropolis: How Las Vegas Started the Twenty-first Century

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Psychology Press, 2003 - 340 ページ
Praise for the Previous Edition (0 415 92612 2): ...lively and provocative...this book will teach you something startling on nearly every page... --The New York Times Book Review Like the Emerald City, Las Vegas glitters brightly in the vast Nevada desert, a haven for refugees from ordinary America. A hip, iconic, playground that exports nothing, it nonetheless earns billions from consumer services alone -- gambling, hotels, gaming, and entertainment. It is, historian Hal Rothman argues, the quintessential city of the future. As other cities try to mirror its success and huge, respectable corporations like Coca-Cola invest in a piece of the pie, the very traits that have ostracized Las Vegas in the past -- hedonism, money worship, and permissiveness -- have today made it America's fastest growing urban center. From the gambling-driven, mob-run Sin City of the 1940s to the corporatization of the Strip as a respectable family entertainment center after the 1970s, Las Vegas has shown incredible economic resilience and adaptability. The first full account of America's new dream capital, Neon Metropolis brilliantly shows how Las Vegas gambled on the post-industrial service economy well before the rest of the country knew it was coming, and won.
 

目次

1 Inventing Modern Las Vegas
3
Entertainment in the Malleable Metropolis
33
The New Service Economy
63
4 Freedom and Limits in a City of Pleasure
89
Filling Las Vegas
121
5 The New Emigrant Trail
123
6 The Face of the Future
149
Latinos in the New City
175
Life in a Libertarian Desert
207
The Weight of Traffic
235
Building a City without Basements or Closets
261
Neighborhoods of Affinity
291
Epilogue
317
Selected Bibliography
325
Index
329
著作権

Building a New City
205

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xviii ページ - At the same time. American society underwent a remarkable shift. The old rules and standards were tossed out. and new ones. defined through media. evolved in a world without clear cultural distinctions. In this new world. experience has become currency and entertainment has become culture. Experience is what Americans trade. how they define themselves. Entertainment is the storehouse of national values. Authentic and inauthentic have blurred. It's not that people can't tell the difference — they...
xviii ページ - best assortment of shopping on the planet." Wynn proclaimed. and with amenities like the $35O million art collection. remarkable restaurants. and superior drinks— women swear that the Bellagio makes the best Cosmopolitan anyone's ever tasted — the attraction was obvious. Wynn made his reputation on service. and there was simply no place anywhere like the Bellagio. The ante in the Las Vegas poker game had become astronomical. Only the boldest of the bold could afford a seat at the table. In the...
xi ページ - World Famous Las Vegas Strip," on New Year's 2000, revealed the triumph of post-industrial capitalism, information and experience, over its industrial predecessor. Billions of dollars from the world financial markets had been fashioned into the long line of multi-colored casinos that lit the night sky. This spectacle of postmodernism, a combination of space and form in light and dark that...
xiii ページ - Vegas blends entertainment, experience, and opportunity for a broad swath of the American and world public. It fulfills the desires of the baby boomers, reflects the abundance that they take for granted and the selfish indulgence, the hedonistic libertarianism, that is the legacy of the American cultural revolution of the 196Os.
xxvii ページ - It offers the most fully developed version of a low-skilled, high-wage service economy in the nation and possibly the world. The power of unions in southern Nevada has made Las Vegas the "Last Detroit...

著者について (2003)

Hal Rothman is a professor of history at the University of Nevada, Las Vegas, and the editor of the journal Environmental History. The author of Devil's Bargains: Tourism in the Twentieth Century American West, Rothman is a frequent commentator on Las Vegas. He has been featured on National Public Radio, CBS Sunday Morning, and in The New York Times, The Wall Street Journal and in the four-hour A&E Television Network documentary, Las Vegas.

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