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The facetious qualities of the ape soon rendered him In this roughly-wooded island, the country people an acceptable addition to the strolling band of the secreted their wives and children, and their most jongleur. Ben Jonson, in his splenetic introduction to valuable effects, from the rapacity of Cromwell's solthe comedy of « Bartholomew Fair,» is at pains to in-diers, during their inroad into this country, in the time

I form the audience that he has ne'er a sword and buckler man in his Fair, nor a juggler, with a welleducated ape, to come over the chaine for the King of England, and back again for the prince, and sit still on his haunches for the pope and the King of Spaine.»>

Note 3. Stanza xiv.

That stirring air that peals on high,

O'er Dermid's race our victory.-
Strike it!-

There are several instances, at least in tradition, of
persons so much attached to particular tunes, as to
require to hear them on their death-bed. Such an

of the republic. These invaders, not venturing to ascend by the ladders, along the side of the lake, took a more circuitous road, through the heart of the Trosachs, the most frequented path at that time, which penetrates the wilderness about half-way between Binean and the lake, by a tract called Yea-chilleach, or the Old Wife's Bog.

<< In one of the defiles of this by-road, the men of the country at that time hung upon the rear of the invading enemy, and shot one of Cromwell's men, whose grave marks the scene of action, and gives name to that In revenge of this insult the soldiers pass.

2

mecdote is mentioned by the late Mr Riddel of Glen-resolved to plunder the island, to violate the women, maddel, in his collection of Border tunes, respecting an and -put the children to death. With this brutal inair called the « Dandling of the Bairns,» for which a tention, one of the party, more expert than the rest, ertain Gallovidian laird is said to have evinced this swam towards the island, to fetch the boat to his frong mark of partiality. It is popularly told of a comrades, which had carried the women to their asyfamous freebooter, that he composed the tune known lum, and lay moored in one of the creeks. His comby the name of Macpherson's Rant while under sen- panions stood on the shore of the main-land, in full lence of death, and played it at the gallows-tree. Some view of all that was to pass, waiting anxiously for his return with the boat. But just as the swimmer had spirited words have been adapted to it by Burns. A milar story is recounted of a Welch bard, who comgot to the nearest point of the island, and was laying posed and played on his death-bed the air called Dafyddy hold of a black rock, to get on shore, a heroine, who Garregg Wen. stood on the very point where he meant to land, hastily snatching a dagger from below her apron, with one His party stroke severed his head from the body. seeing this disaster, and relinquishing all future hope of revenge or conquest, made the best of their way out of their perilous situation This amazon's great-grandson lives at Bridge of Turk, who, besides others, attests the anecdote. »Sketch of the Scenery near Callender. Stirling, 1806, p. 20. I have only to add to this account

But the most curious example is given by Brantome, of a maid of honour at the court of France, entitled, Mademoiselle de Limucil. « Durant sa maladie, dont | ele trespassa, jamais elle ne cessa, ains causa tousjours; car elle estoit forte grande parleuse, brocardeuse, et tres-bien et fort à propos, et très-belle avec cela. Quand eure de sa fin fut venue, elle fit venir à soy son valet, Cosi que les filles de la cour en ont chacune un), qui appeloit Julien, et scavoit très-bien jouer du violon. Julien, luy dit elle, prenez vostre violon, et sonnez moy tousjours jusques à ce que me voyez morte (car je my en vais) la défaite des Suisses, et le mieux que vons pourrez, et quand vous serez sur le mot, 'Tout est perdu, sonnez le par quatre ou cing fois, le plus piteusement que vous pourrez,' ce qui fit l'autre, et elle-mesme buy aidoit de la voix, et quand ce vint tout est perdu,' de le réitera par deux fois; et se tournant de l'autre cesté du chevet, elle dit à ses compagnes: 'Tout est perdu à ce coup, et à bon escient;' et ainsi décéda. Voila une morte joyeuse et plaisante. Je tiens ce conte deux de ses compagnes, dignes de fois, qui virent Jouer ce mystere.»-OEuvres de Brantome, Ill. 507. The tune to which this fair lady chose to make her faal exit was composed on the defeat of the Swiss at Marignano. The burden is quoted by Panurge, in Rabelais, and consists of these words, imitating the agon of the Swiss, which is a mixture of French and

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that the heroine's name was Helen Stuart.

Note 5. Stanza xxvi.

And Snowdoun's knight is Scotland's king. This discovery will probably remind the reader of the beautiful Arabian tale of Il Bondocani. Yet the

incident is not borrowed from that elegant story, but from Scottish tradition. James V., of whom we are treating, was a monarch whose good and benevolent intentions often rendered his romantic freaks venial, if not respectable, since, from his anxious attention to the interests of the lower and most oppressed class of his subjects, he was, as we have seen, popularly termed the King of the Commons. For the purpose of seeing that justice was regularly administered, and frequently from the less justifiable motive of gallantry, he used to traverse the vicinage of his several palaces in various disguises. The two excellent comic songs, entitled « The Gaberlunzie Man,» and « We'll gae nae mair a roving,>> are said to have been founded upon the success of his amorous adventures when travelling in the disguise of a beggar. The latter is perhaps the best comic ballad in any language.

Another adventure, which had nearly cost James his life, is said to have taken place at the village of Cramond, near Edinburgh, where he had rendered his addresses acceptable to a pretty girl of the lower rank.

tioned in the text.
That at the eastern extremity of Loch Katrine, so often men-

Beallach an duine.

The author requests permission yet farther to verify the subject of his poem, by an extract from the geneslogical work of Buchanan of Auchmar, upon Scottish surnames.

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« This John Buchanan of Auchmar and Arnpryor was afterwards termed King of Kippen, upon the following account: King James V., a very sociable, debonair prince, residing at Stirling, in Buchanan of Arnpryor's time, carriers were very frequently passing along the common road, being near Arnpryor's house, with necessaries for the use of the king's family; and he, having some extraordinary occasion, ordered one of these carriers to leave his load at his house, and he would pay him for it; which the carrier refused to do, telling him he was the king's carrier, and his load for his majesty's use; to which Arnpryor seemed to have small regard, compelling the carrier, in the end, to leave his load; telling him, if King James was king of Scotland, he was king of Kippen, so that it was reasonable he should share with his neighbour king in some of these loads, so frequently carried that road. The carrier representing this usage, and telling the story, as Arnpryor spoke it, to some of the king's servants, it came at length to his majesty's ears, who, shortly thereafter, with a few attendants, came to visit his neighbour king, who was in the mean time at dinner. King James having sent a servant to demand access, was denied the same by a tall fellow with a battleaxe, who stood porter at the gate, telling, there could be no access till dinner was over. This answer not satis

Four or five persons, whether relations or lovers of his mistress is uncertain, beset the disguised monarch, as he returned from his rendezvous. Naturally gallant, and an admirable master of his weapon, the king took post on the high and narrow bridge over the Almond river, and defended himself bravely with his sword. A peasant, who was threshing in a neighbouring barn, came out upon the noise, and, whether moved by compassion or by natural gallantry, took the weaker side, and laid about with his flail so effectually, as to disperse the assailants, well threshed, even according to the letter. He then conducted the king into his barn, where his guest requested a basin and towel, to remove the stains of the broil. This being procured with difficulty, James employed himself in learning what was the summit of his deliverer's earthly wishes, and found that they were bounded by the desire of possessing, in property, the farm of Braehead, upon which he laboured as a bondsman. The lands chanced to belong to the crown: and James directed him to come to the palace of Holyrood, and enquire for the Gudeman (i. e. farmer) of Ballanguich, a name by which he was known in his excursions, and which answered to the Il Bondocani of Haroun Alraschid. He presented himself accordingly, and found, with due astonishment, that he had saved his monarch's life, and that he was to be gratified with a crown-charter of the lands of Braehead, under the service of presenting an ewer, basin, and towel, for the king to wash his hands, when he shall happen to pass the Bridge of Cramond. This person was ancestor of the Howisous of Brae-fying the king, he sent to demand access a second time; head, in Mid-Lothian, a respectable family, who continue to hold the lands (now passed into the female line) under the same tenure.

Another of James's frolics is thus narrated by Mr Campbell, from the Statistical Account. «Being once benighted when out a-hunting, and separated from his attendants, he happened to enter a cottage in the midst of a moor, at the foot of the Ochil hills, near Alloa, where, unknown, he was kindly received. In order to regale their unexpected guest, the gudeman (e. i. landlord, farmer,) desired the gudewife to fetch the hen that roosted nearest the cock, which is always the plumpest, for the stranger's supper. The king, highly pleased with his night's lodging and hospitable entertainment, told mine host, at parting, that he should be glad to return his civiltty, and requested that the first time he came to Stirling he would call at the castle, and enquire for the gudeman of Ballenguich. Donaldson, the landlord, did not fail to call on the gudeman of Ballenguich, when his astonishment at finding that the king had been his guest afforded no small amusement to the merry monarch and his courtiers; and, to carry on the pleasantry, he was thenceforth designated by James with the title of King of the Moors, which name and designation have descended from father to son ever since, and they have continued in possession of the identical spot, the property of Mr Erskine of Mar, till very lately, when this gentleman, with reluctance, turned out the descendant and representative of the King of the Moors, on account of his majesty's invincible indolence, and great dislike to reform or innovation of any kind, although, from the spirited example of his neighbour tenants on the same estate, he is convinced similar exertion would promote his advantage.»

upon which he was desired by the porter to desist, otherwise he would find cause to repent his rudeness Ilis majesty finding this method would not do, desired the porter to tell his master that the goodman of Ballageigh desired to speak with the king of Kippen. The porter telling Arnpryor so much, he, in all humble manner, came and received the king, and having enter tained him with much sumptuousness and jollity, be came so agreeable to King James, that he allowed him to take so much of any provision he found carrying that road as he had occasion for; and seeing he made the first visit, desired Arnpryor in a few days to return him a second to Stirling, which he performed, and continued in very much favour with the king, alway, thereafter being termed king of Kippen while le lived.»-BUCHANAN'S Essay upon the Family of bucha nan. Edin. 1775, 8vo. p. 74.

The readers of Ariosto must give credit for the ame able features with which he is represented, since he is generally considered as the prototype of Zerbino, the most interesting hero of the Orlando Furioso.

Note 6. Stanza xxviii.
Stirling's Tower

Of yore the name of Snowdoun claims.

William of Worcester, who wrote about the middle of the fifteenth century, calls Stirling Castle Snowdonn. Sir David Lindsay bestows the same epithet upon it in his Complaint of the Paping.

Adieu, fair Snawdoun, with thy towers high,
Thy chapel-royal, park, and table round;
May, June, and July, would I dwell in thee,
Were I a man, to hear the birdis sound,
Whilk doth again' thy royal rock rebound.

A small district of Perthshire.

Mr Chalmers, in his late excellent edition of Sir David Lindsay's works, has refuted the chimerical desation of Snawdoun from snedding, or cutting. It was probably derived from the romantic legend which I connected Stirling with King Arthur, to which the mention of the Round Table gives countenance. The ng within which justs were formerly practised, in the astle park, is still called the Round Table. Snawdoan is the official title of one of the Scottish heralds, whose epithets seem in all countries to have been fantastically adopted from ancient history or romance. It appears from the preceding note, that the real same by which James was actually distinguished in

his private excursions, was the Goodman of Balienguich; derived from a steep pass leading up to the Castle of Stirling, so called. But the epithet would not have suited poetry, and would besides at once, and prematurely, have announced the plot to many of my countrymen, among whom the traditional stories above mentioned are still current.

The Author has to apologise for the inadvertent appropriation of a whole line from the tragedy of Douglas, I hold the first who strikes, my foe..

Rokeby;

A POEM,

IN SIX CANTOS.

TO JOHN B. S. MORRITT, ESQ.

This Poem,

THE SCENE OF WHICH IS LAID IN HIS BEAUTIFUL DEMESNE OF ROKEBY,

IS INSCRIBED, IN TOKEN OF SINCERE FRIENDSHIP,

BY WALTER SCOTT.

ADVERTISEMENT.

Tax Scene of the Poem is laid at Rokeby, near Greta-bridge, in Yorkshire, and shifts to the adjacent fortress of Barnard Castle, and to other places in that vicinity.

The time occupied by the Action is a space of Five Days, Three of which are supposed to elapse between the end of the Fifth and beginning of the Sixth Canto. The date of the supposed events is immediately subsequent to the great Battle of Marston-moor, 3d July, 1644. This period of public confusion has been chosen, without any purpose of combining the Fable with the Mitary or Political Events of the Civil War, but only as affording a degree of probability to the Fictitious Narrative now presented to the Public.

ROKEBY.

CANTO I.

I.

Tag moon is in her summer glow,
But hoarse and high the breezes blow,
And, racking o'er her face, the cloud
Varies the tincture of her shroud;

On Barnard's towers, and Tees's stream, (1)
She changes as a guilty dream,

When conscience, with remorse and fear,
Goads sleeping fancy's wild career.
Her light seem'd now the blush of shame,
Seem'd now fierce anger's darker flame,
Shifting that shade, to come and go,
Like apprehension's hurried glow;
Then sorrow's livery dims the air,
And dies in darkness, like despair.
Such varied hues the warder sees
Reflected from the woodland Tees,
Then from old Baliol's tower looks forth,
Sees the clouds mustering in the north,
Hears, upon turret-roof and wall,
By fits the plashing rain-drop fall,
Lists to the breeze's boding sound,
And wraps his shaggy mantle round.

II.

Those towers, which in the changeful gleam
Throw murky shadows on the stream,
Those towers of Barnard hold a guest,
The emotions of whose troubled breast,
In wild and strange confusion driven,
Rival the flitting rack of heaven.
Ere sleep stern OSWALD'S senses tied,
Oft had he changed his weary side,
Composed his limbs, and vainly sought
By effort strong to banish thought.
Sleep came at length, but with a train
Of feelings true and fancies vain,
Mingling, in wild disorder cast,
The expected future with the past.

Conscience, anticipating time,
Already rues the unacted crime,
And calls her furies forth to shake

The sounding scourge and hissing snake;
While her poor victim's outward throes
Bear witness to his mental woes,
And show what lesson may be read
Beside a sinner's restless bed.

III.

Thus Oswald's labouring feelings trace
Strange changes in his sleeping face,
Rapid and ominous as these

With which the moon-beams tinge the Tees.
There might be seen of shame the blush,
There auger's dark and fiercer flush,
While the perturbed sleeper's hand
Seem'd grasping dagger-knife or brand.
Relax'd that grasp, the heavy sigh,
The tear in the half-opening eye,
The pallid cheek and brow, confess'd
That grief was busy in his breast;
Nor paused that mood-a sudden start
Impell'd the life-blood from the heart;
Features convulsed, and mutterings dread,
Show terror reigns in sorrow's stead;
That pang the painful slumber broke,
And Oswald, with a start, awoke.

IV.

He woke, and fear'd again to close
His eye-lids in such dice repose;

He woke, to watch the lamp, and tell
From hour to hour the castle-bell,
Or listen to the owlet's cry,
Or the sad breeze that whistles by,
Or catch, by fits, the tuneless rhyme
With which the warder cheats the time,
And envying think how, when the sun
Bids the poor soldier's watch be done,
Couch'd on his straw, and fancy-free,
He sleeps like careless infancy.

V.

Far townward sounds a distant tread, And Oswald, starting from his bed, Hath caught it, though no human ear, Unsharpen'd by revenge and fear, Could e'er distinguish horse's clauk, (2) Until it reach'd the castle-bank. Now nigh and plain the sound appears, The warder's challenge now he hears. Then clanking chains and levers tell, That o'er the moat the draw-bridge fell, And, in the castle-court below, Voices are heard, and torches glow, As marshalling the stranger's way, Straight for the room where Oswald lay; The cry was,―« Tidings from the host, Of weight-a messenger comes post.»Stifling the tumult of his breast, His answer Oswald thus express'd«Bring food and wine, and trim the fire; Admit the stranger, and retire.»

VI.

The stranger came with heavy stride: The morion's plumes his visage hide,

And the buff coat, in ample fold,
Mantles his form's gigantic mould. (3)
Full slender answer deigned he
To Oswald's anxious courtesy,
"But mark'd, by a disdainful smile,
-He saw and scorn'd the petty wile,
When Oswald changed the torch's place,
Anxious that on the soldier's face
Its partial lustre might be thrown,
To show his looks, yet hide his own.
His guest, the while, laid slow aside
The ponderous cloak of tough bull's hide,
And to the torch glanced broad and clear
The corslet of a cuirassier.

Then from his brows the casque he drew,
And from the dank plume dash'd the dew,
From gloves of mail relieved his hands,
And spread them to the kindling brands,
And, turning to the genial board,
Without a health, or pledge, or word
Of meet and social reverence said,
Deeply he drank, and fiercely fed;
As free from ceremony's sway,
As famish'd wolf that tears his prey.

VII.

With deep impatience, tinged with fear,
His host beheld him gorge his cheer,
And quaff the full carouse, that lent
His brow a fiercer hardiment.
Now Oswald stood a space aside,
Now paced the room with hasty stride,
In feverish agony to learn
Tidings of deep and dread concern,
Cursing each moment that his guest
Protracted o'er his ruffian feast.
Yet, viewing with alarm, at last,
The end of that uncouth repast,
Almost he seem'd their haste to rue,
As, at his sign, his train withdrew,
And left him with the stranger, free
To question of his mystery.
Then did his silence long proclaim
A struggle between fear and shame.

VIII.

Much in the stranger's mien appears,
To justify suspicious fears.

On his dark face a scorching clime,
And toil, had done the work of time, (4)
Roughen'd the brow, the temples bared,
And sable hairs with silver shared,
Yet left-what age alone could tame-
The lip of pride, the eye of flame,
The full-drawn lip that upward curl'd,
The eye, that seem'd to scorn the world.
That lip had terror never blanch'd;
Ne'er in that eye had tear-drop quench'd
The flash severe of swarthy glow,
That mock'd at pain, and knew not woe;
Inured to danger's direst form,
Tornade and earthquake, flood and storm,
Death had he seen by sudden blow,
By wasting plague, by tortures slow,
By mine or breach, by steel or ball,
Kaew all his shapes, and scorn'd them all.

IX.

But yet, though BERTRAM's harden'd look,
Cnmoved, could blood and danger brook,
Still worse than apathy had place
On his swart brow and callous face;
For evil passions, cherish'd long,

Had plough'd them with impressions strong.
All that gives gloss to sin, all gay
Light folly, pass'd with youth away,
But rooted stood, in manhood's hour,
The weeds of vice without their flower.
And yet the soil in which they grew,
Had it been tamed when life was new,
Had depth and vigour to bring forth
The hardier fruits of virtuous worth.

Not that, e'en then, his heart had known
The gentler feelings' kindlier tone;
But lavish waste had been refined
To bounty in his chasten'd mind,
And last of gold, that waste to feed,
Been lost in love of glory's meed,
And, frantic then no more, his pride
Had ta'en fair virtue for its guide.

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Awhile he glozed upon the cause
Of commons, covenant, and laws,
And church reform'd-but felt rebuke
Beneath grim Bertram's sneering look.
Then stammer'd-« Has a field been fought?
Has Bertram news of battle brought?
For sure a soldier, famed so far

In foreign fields for feats of war,
On eve of fight ne'er left the host,
Couil the field were won or lost.>>-
« Here, in your towers by circling Tees,
You, Oswald Wycliffe, rest at ease;
Why deera it strange that others come
To share such safe and easy home,

From fields where danger, death, and toil,
Are the reward of civil broil?»-

e Nay, mock not, friend ! since well we know

The near advances of the foe,

To mar our northern army's work,
Encamp'd before beleaguer'd York;

.

Thy horse with valiant Fairfax lay,

And must have fought-how went the day?»

XII.

« Wouldst hear the tale?-On Marston heath
Met, front to front, the ranks of death; (5)
Flourish'd the trumpets fierce, and now
Fired was each eye, and flush'd each brow;
On either side loud clamours ring,
'God and the Cause!-God and the King!
Right English all, they rush'd to blows,
With nought to win, and all to lose.

I could have laugh'd-but lack'd the time-
To see, in phrenesy sublime,

How the fierce zealots fought and bled,
For king or state, as humour led;
Some for a dream of public good,
Some for church-tippet, gown, and hood,
Draining their veins, in death to claim

A patriot's or a martyr's name.-
Led Bertram Risingham the hearts,
That counter'd there on adverse parts,
No superstitious fool had I
Sought El Dorados in the sky!
Chili had heard me through her states,
And Lima oped her silver gates,
Rich Mexico I had march'd through,
And sack'd the splendours of Peru,
Till sunk Pizarro's daring name,
And, Cortez, thine, in Bertram's fame!»-
- Still from the purpose wilt thou stray !
Good gentle friend, how went the day?»--

XIII.

«Good am I deem'd at trumpet-sound,
And good where goblets dance the round,
Though gentle ne'er was join'd, till now,
With rugged Bertram's breast and brow.-
But I resume. The battle's rage

Was like the strife which currents wage,
Where Orinoco, in his pride,

Rolls to the main no tribute tide,
But 'gainst broad ocean urges far

A rival sea of roaring war;
While, in ten thousand eddies driven,
The billows fling their foam to heaven.
And the pale pilot seeks in vain,
Where rolls the river, where the main.
Even thus, upon the bloody field,
The eddying tides of conflict wheel'd
Ambiguous till that heart of flame,
Hot Rupert, on our squadrons came,
Hurling against our spears a line
Of gallants, fiery as their wine;

Then ours, though stubborn in their zcal,

In zeal's despite began to reel.

What wouldst thou more?-in tumult tost,

Our leaders fell, our ranks were lost.

A thousand men, who drew the sword

For both the Houses and the Word,

Preach'd forth from hamlet, grange, and down,

To curb the crosier and the crown,

Now, stark and stiff, lie stretch'd in gore,
And ne'er shall rail at mitre more.-

Thus fared it, when I left the fight,

With the good cause and commons' right.»

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