The Works of William Shakespeare: Much ado about nothing. Love's labour's lost. A midsummer-night's dream. The merchant of Venice. As you like itMacmillan, 1863 |
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8 ページ
... turn husband , have you ? Claud . I would scarce trust myself , though I had sworn 165 the contrary , if Hero would be my wife . Bene . Is't come to this ? In faith , hath not the world one man but he will wear his cap with suspicion ...
... turn husband , have you ? Claud . I would scarce trust myself , though I had sworn 165 the contrary , if Hero would be my wife . Bene . Is't come to this ? In faith , hath not the world one man but he will wear his cap with suspicion ...
18 ページ
... Marg . ] Mas . F4 . ( VIII . ) 90. Marg . ] Mask . F4 . See note 91. [ Turning off in quest of ano- ther . Capell . 96 . [ Parting different ways . Ca- pell . 95 Ant . At a word , I am not . 18 MUCH ADO ABOUT NOTHING . [ ACT II .
... Marg . ] Mas . F4 . ( VIII . ) 90. Marg . ] Mask . F4 . See note 91. [ Turning off in quest of ano- ther . Capell . 96 . [ Parting different ways . Ca- pell . 95 Ant . At a word , I am not . 18 MUCH ADO ABOUT NOTHING . [ ACT II .
20 ページ
... turning . [ Dance . Then exeunt all except Don John , Borachio , and Claudio . D. John . Sure my brother is amorous on Hero , and hath withdrawn her father to break with him about it . The ladies follow her , and but one visor remains ...
... turning . [ Dance . Then exeunt all except Don John , Borachio , and Claudio . D. John . Sure my brother is amorous on Hero , and hath withdrawn her father to break with him about it . The ladies follow her , and but one visor remains ...
30 ページ
... , 42. F , repeats these lines in the turn of the page . 45-56 . Put into the margin as spurious by Pope . 53. nothing ] Q Ff . noting Theo- bald . not strange that sheeps ' guts should hale souls out 30 MUCH ADO ABOUT NOTHING . [ ACT II .
... , 42. F , repeats these lines in the turn of the page . 45-56 . Put into the margin as spurious by Pope . 53. nothing ] Q Ff . noting Theo- bald . not strange that sheeps ' guts should hale souls out 30 MUCH ADO ABOUT NOTHING . [ ACT II .
39 ページ
... turns she every man the wrong side out ; And never gives to truth and virtue that` Which simpleness and merit purchaseth . Urs . Sure , sure , such carping is not commendable . 70 Hero . No , not to be so odd , and from all fashions ...
... turns she every man the wrong side out ; And never gives to truth and virtue that` Which simpleness and merit purchaseth . Urs . Sure , sure , such carping is not commendable . 70 Hero . No , not to be so odd , and from all fashions ...
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多く使われている語句
Anon Antonio Bass Bassanio Beat Beatrice Becket conj Benedick Biron Boyet brother Capell conj Claud Claudio Collier Costard daughter Demetrius doth ducats Duke Dyce Enter Exeunt Exit eyes F₂ F3 fair fairy faith father Ff Q2 Ff Q3 Q4 Folios fool gentle give grace Grant White Hanmer hast hath hear heart Hermia Hero honour Jackson conj Johnson conj King lady Laun Launcelot Leon Leonato look lord lover Lysander Malone marry master master constable Moth never night Orlando Pedro Philostrate Pompey Pope Portia prince Puck Pyramus Q Ff Q₁ Q₂ Ff Q3 Qq F Qq F₁ Qq Ff Quarto Quin Rosalind Rowe Rowe ed SCENE Shylock Signior speak Steevens swear sweet tell Theobald Theseus Thisby thou art Titania tongue Walker conj Warburton word ΙΟ
人気のある引用
410 ページ - Made to his mistress' eye-brow. Then a soldier, Full of strange oaths, and bearded like the pard, 150 Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth...
410 ページ - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
256 ページ - The eye of man hath not heard, the ear of man hath not seen ; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
115 ページ - Biron they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit ; For every object that the one doth catch The other turns to a mirth-moving jest, Which his fair tongue, conceit's expositor, Delivers in such apt and gracious words That aged ears play truant at his tales And younger hearings are quite ravished ; So sweet and voluble is his discourse.
453 ページ - It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding : Sweet lovers love the spring. Between the acres of the rye, With a hey, and a ho, and a hey nonino. These pretty country folks would lie, In spring time, &c.
394 ページ - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
322 ページ - If you prick us, do we not bleed ? if you tickle us, do we not laugh ? If you poison us, do we not die ? and if you wrong us, shall we not revenge ? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility ? revenge ; If a Christian wrong a Jew, what should his sufferance be by Christian example ? why, revenge. The villainy you teach me, I will execute; and it shall go hard but I will better the instruction.
360 ページ - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines...
361 ページ - By the sweet power of music: therefore the poet Did feign that Orpheus drew trees, stones and floods; Since nought so stockish, hard and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils; The motions of his spirit are dull as night And his affections dark as Erebus: Let no such man be trusted.
393 ページ - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons' difference : as the icy fang And churlish chiding of the winter's wind, Which when it bites and blows upon my body, Even till I shrink with cold, I smile and say, This is no flattery : these are counsellors That feelingly persuade me what I am.