Shakespeare's Comedy of LoveRoutledge, 2013/10/11 - 288 ページ First published in 1987. |
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... audience) Ephesus is the familiar seaport town of Plautine comedy, a small world of commerce and domesticity, where, as E. M. W. Tillyard puts it, 'everyone knows everyone else's business, where merchants predominate, and where dinner ...
... audience) Ephesus is the familiar seaport town of Plautine comedy, a small world of commerce and domesticity, where, as E. M. W. Tillyard puts it, 'everyone knows everyone else's business, where merchants predominate, and where dinner ...
11 ページ
... audience is left in the dark , for 1 References to Menaechmi are to William Warner's translation , in Geoffrey Bullough , Narrative and Dramatic Sources of Shakespeare , I ( London , 1957 ) . On the likelihood that Shakespeare knew and ...
... audience is left in the dark , for 1 References to Menaechmi are to William Warner's translation , in Geoffrey Bullough , Narrative and Dramatic Sources of Shakespeare , I ( London , 1957 ) . On the likelihood that Shakespeare knew and ...
11 ページ
... audience ) a comic anticlimax . The contrast is driven home , once again , by the different styles of speech - the casual chatter of the courtesan , the explosive horror of Antipholus and , on the side , Dromio's more familiar ...
... audience ) a comic anticlimax . The contrast is driven home , once again , by the different styles of speech - the casual chatter of the courtesan , the explosive horror of Antipholus and , on the side , Dromio's more familiar ...
11 ページ
... audience ) Ephesus is the familiar seaport town of Plautine comedy , a small world of commerce and domesticity , where , as E. M. W. Tillyard puts it , ' everyone knows everyone else's business , where merchants predominate , and where ...
... audience ) Ephesus is the familiar seaport town of Plautine comedy , a small world of commerce and domesticity , where , as E. M. W. Tillyard puts it , ' everyone knows everyone else's business , where merchants predominate , and where ...
11 ページ
... audience , but it is unsettling and unpleasant for the victim . As we see throughout Shakespeare's comedies , love seems to thrive on irrationality and confusion , and emerges from it strengthened , renewed and satisfied : the ...
... audience , but it is unsettling and unpleasant for the victim . As we see throughout Shakespeare's comedies , love seems to thrive on irrationality and confusion , and emerges from it strengthened , renewed and satisfied : the ...
目次
6 | |
9 | |
10 | |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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