Shakespeare's Comedy of LoveRoutledge, 2013/10/11 - 288 ページ First published in 1987. |
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... mind , Soul - killing witches that deform the body , Disguised cheaters , prating mountebanks , And many such - like liberties of sin . ( I. ii . 97-102 ) The sleight of hand that deceives the eye , the cunning of the confi- dence trick ...
... mind , Soul - killing witches that deform the body , Disguised cheaters , prating mountebanks , And many such - like liberties of sin . ( I. ii . 97-102 ) The sleight of hand that deceives the eye , the cunning of the confi- dence trick ...
11 ページ
... mind and another , can exist at a deeper level than who's - got - the - chain or which- twin - is - it - this - time . These questions are important to the action , and much of the play's immediate comic life depends on them ; but they ...
... mind and another , can exist at a deeper level than who's - got - the - chain or which- twin - is - it - this - time . These questions are important to the action , and much of the play's immediate comic life depends on them ; but they ...
11 ページ
... minds that take place throughout The Comedy of Errors help to suggest this . When , for example , Adriana strikes a posture of languishing grief , Luciana's sharp comment deflates it immediately : Since that my beauty cannot please his ...
... minds that take place throughout The Comedy of Errors help to suggest this . When , for example , Adriana strikes a posture of languishing grief , Luciana's sharp comment deflates it immediately : Since that my beauty cannot please his ...
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21 ページ
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目次
6 | |
9 | |
10 | |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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多く使われている語句
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision