Shakespeare's Comedy of LoveRoutledge, 2013/10/11 - 288 ページ First published in 1987. |
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11 ページ
... speech is passionate and earnest , idealistic in its view of marriage and urgent in its emotional response to the breaking of that ideal . But the context is all - important . Adriana's speech follows immediately - with no transition ...
... speech is passionate and earnest , idealistic in its view of marriage and urgent in its emotional response to the breaking of that ideal . But the context is all - important . Adriana's speech follows immediately - with no transition ...
11 ページ
... speech at the wrong Anti- pholus , it is not so funny when , later in the play , Aegeon pleads with his son to save his life , and his son refuses to acknowledge him . The effect is to show how frail and vulnerable our attitudes and ...
... speech at the wrong Anti- pholus , it is not so funny when , later in the play , Aegeon pleads with his son to save his life , and his son refuses to acknowledge him . The effect is to show how frail and vulnerable our attitudes and ...
11 ページ
... speech reminds us there are other , more familiar ways a man's life can be disrupted , and with similar results . It is clear enough that not all of Antipholus's problems stem from the fact that his brother is in town , and we may ...
... speech reminds us there are other , more familiar ways a man's life can be disrupted , and with similar results . It is clear enough that not all of Antipholus's problems stem from the fact that his brother is in town , and we may ...
12 ページ
... speech . Despite its worldly con- tent there is something oracular in its manner , and the result is a subtler comic ... speeches of the lover , the idea of surrender is still innocent and uncomplicated , unbruised by reality . In the ...
... speech . Despite its worldly con- tent there is something oracular in its manner , and the result is a subtler comic ... speeches of the lover , the idea of surrender is still innocent and uncomplicated , unbruised by reality . In the ...
24 ページ
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目次
6 | |
9 | |
10 | |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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多く使われている語句
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision