Shakespeare's Comedy of LoveRoutledge, 2013/10/11 - 288 ページ First published in 1987. |
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9 ページ
... story , then individual scenes or characters may be understood from that point of view alone , and thus denied their full life . By the same token , since so many of Shakespeare's comedies use the same devices , there has been an ...
... story , then individual scenes or characters may be understood from that point of view alone , and thus denied their full life . By the same token , since so many of Shakespeare's comedies use the same devices , there has been an ...
10 ページ
... story to familiar folk tales can shift from scene to scene . In short , instead of freezing the plays in order to demonstrate one particular thing about them , I have tried to see them as dynamic and constantly changing . The same ...
... story to familiar folk tales can shift from scene to scene . In short , instead of freezing the plays in order to demonstrate one particular thing about them , I have tried to see them as dynamic and constantly changing . The same ...
13 ページ
... story come true for Dromio : ' This is the fairy land . O spite of spites ! / We talk with goblins , owls , and sprites ! ' ( II. ii . 188-9 ) . In place of his master's exotic ' Lapland sorcerers ' , Dromio imagines Ephesus as a town ...
... story come true for Dromio : ' This is the fairy land . O spite of spites ! / We talk with goblins , owls , and sprites ! ' ( II. ii . 188-9 ) . In place of his master's exotic ' Lapland sorcerers ' , Dromio imagines Ephesus as a town ...
14 ページ
... story . But there is a larger story in the background , and a very different kind of story from the farcical tale of confusion that occupies our attention for most of the play . The story of Aegeon is a tale of wandering , shipwreck and ...
... story . But there is a larger story in the background , and a very different kind of story from the farcical tale of confusion that occupies our attention for most of the play . The story of Aegeon is a tale of wandering , shipwreck and ...
15 ページ
... stories like Aegeon's will be made fully dramatic ; but in The Tempest Shakespeare returns to the method of The Comedy of Errors . At the end of the play , however , Aegeon returns - as it were , bringing his story with him - and as the ...
... stories like Aegeon's will be made fully dramatic ; but in The Tempest Shakespeare returns to the method of The Comedy of Errors . At the end of the play , however , Aegeon returns - as it were , bringing his story with him - and as the ...
目次
6 | |
9 | |
10 | |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
他の版 - すべて表示
多く使われている語句
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision