Shakespeare's Comedy of LoveRoutledge, 2013/10/11 - 288 ページ First published in 1987. |
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... vision and a uniform texture . But Shakespeare gives us a play in a more mixed dramatic idiom . The market - place atmosphere of Plautus is still present , but it no longer monopolizes the play ; it is varied by suggestions of fantasy ...
... vision and a uniform texture . But Shakespeare gives us a play in a more mixed dramatic idiom . The market - place atmosphere of Plautus is still present , but it no longer monopolizes the play ; it is varied by suggestions of fantasy ...
11 ページ
... vision , comically at odds with reality . In their scene together , we note the practical , worldly manner of Luciana's advice : If you did wed my sister for her wealth , Then for her wealth's sake use her with more kindness ; Or , if ...
... vision , comically at odds with reality . In their scene together , we note the practical , worldly manner of Luciana's advice : If you did wed my sister for her wealth , Then for her wealth's sake use her with more kindness ; Or , if ...
12 ページ
... vision , though clear enough , is less drastic than it might have been . The alternate rhyme they both use gives a heightened , formal quality to her speech . Despite its worldly con- tent there is something oracular in its manner , and ...
... vision , though clear enough , is less drastic than it might have been . The alternate rhyme they both use gives a heightened , formal quality to her speech . Despite its worldly con- tent there is something oracular in its manner , and ...
19 ページ
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目次
6 | |
9 | |
10 | |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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多く使われている語句
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision