The Literature of SatireCambridge University Press, 2004/02/12 - 327 ページ The Literature of Satire is an accessible but sophisticated and wide-ranging study of satire from the classics to the present in plays, novels and the press as well as in verse. In it Charles Knight analyses the rhetorical problems created by satire's complex relations to its community, and examines how it exploits the genres it borrows. He argues that satire derives from an awareness of the differences between appearance, ideas and discourse. Knight provides illuminating readings of such satirists familiar and unfamiliar as Horace, Lucian, Jonson, Molière, Swift, Pope, Byron, Flaubert, Ostrovsky, Kundera, and Rushdie. This broad-ranging examination sheds light on the nature and functions of satire as a mode of writing, as well as on theoretical approaches to it. It will be of interest to scholars interested in literary theory as well as those specifically interested in satire. |
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... audience, make the attack more tolerable by making it entertaining. The satirist operates not only by representing the satiric victim but by imitating a conventional genre. But satire also imitates what M. M. Bakhtin refers to as speech ...
... audience, make the attack more tolerable by making it entertaining. The satirist operates not only by representing the satiric victim but by imitating a conventional genre. But satire also imitates what M. M. Bakhtin refers to as speech ...
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... exists both on the level of text, appreciable aesthetically in its own terms, and on the level of experience, engaged with its audience, whether by sharing the immediate situation of its readers or Introduction: the satiricframe ofmind 5.
... exists both on the level of text, appreciable aesthetically in its own terms, and on the level of experience, engaged with its audience, whether by sharing the immediate situation of its readers or Introduction: the satiricframe ofmind 5.
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