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Addison afterwards Almanzor ancients appears Aristotle Buckinghamshire Cato censure character Charles Dryden compositions considered conversation Cowley criticism death dedication delighted dialogue diction diligence dramatick Dryden duke Duke of Lerma earl easily elegant Elkanah Settle English excellence fable fame favour fays fense friends genius Greek Halifax honour imitation Jacob Tonson John Dryden Juba judgement Juvenal kind king knew labour language Latin learning lines lord lord Halifax ment mind nature never numbers observed opinion Ovid passions performance perhaps pity play poem poet poetical poetry Pope pounds praise preface produced publick published racter reader reason remarks reputation rhyme ridiculous satire scenes seems Sempronius sentiments Shakspeare shew shewn Smith sometimes Sophocles Steele supposed Swift Syphax Tatler thing thought Tickell tion told Tonson topicks tragedy translated Tyrannick Love verses Virgil Whig write written wrote
153 ページ - From harmony, from heavenly harmony, This universal frame began : When Nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high. Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.
93 ページ - Of this kind of meanness he never seems to decline the practice or lament the necessity : he considers the great as entitled to encomiastic homage ; and brings praise rather as a tribute than a gift, more delighted with the fertility of his invention than mortified by the prostitution of his judgment.
158 ページ - A milk-white Hind, immortal and unchang'd, Fed on the lawns, and, in the forest rang'd : Without unspotted, innocent within, She fear'd no danger, for she knew no sin. Yet had she oft been chas'd with horns and hounds, And Scythian shafts, and many winged wounds Aim'd at her heart ; was often forc'd to fly, And doom'd to death, though fated not to die.
259 ページ - James, whose skill in physic will be long remembered ; and with David Garrick, whom I hoped to have gratified with this character of our common friend. But what are the hopes of man ? I am disappointed by that stroke of death which has eclipsed the gaiety of nations, and impoverished the public stock of harmless pleasure.
109 ページ - To judge rightly of an author, we must transport ourselves to his time, and examine what were the wants of his contemporaries, and what were his means of supplying them.
111 ページ - Dryden is the criticism of a poet ; not a dull collection of theorems, nor a rude detection of faults, which perhaps the censor was not able to have committed ; but a gay and vigorous dissertation, where delight is mingled with instruction, and where the author proves his right of judgment by his power of performance.
212 ページ - Whether our English audience have been pleased hitherto with, acorns, as he calls it, or with bread, is the next question ; that is, whether the means which Shakspeare and Fletcher have used in their plays to raise those passions before named, be better applied to the ends by the Greek poets than by them.
140 ページ - Which, flank'd with rocks, did close in covert lie ; And round about their murdering cannon lay, At once to threaten and invite the eye. Fiercer than cannon, and than rocks more hard, The English undertake th' unequal war : Seven ships alone, by which the port is barr'd, Besiege the Indies, and all Denmark dare.