The Shakespearian Scene: Some Twentieth-century PerspectivesLongmans, 1969 - 182 ページ |
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9 ページ
... argued that plot rather than character was Shakespeare's primary concern did not confine themselves to analogies from Greek drama . C. S. Lewis based his contention that tragedy is an imitation not of men but of action on his own ...
... argued that plot rather than character was Shakespeare's primary concern did not confine themselves to analogies from Greek drama . C. S. Lewis based his contention that tragedy is an imitation not of men but of action on his own ...
19 ページ
... argued , persuasively and at great length , against the traditional notion that Shakespeare's dramatic characters were plausible , lifelike and self - consistent . In his essay Shakespeare and the Drama ( 1906 ) , Tolstoy went so far as ...
... argued , persuasively and at great length , against the traditional notion that Shakespeare's dramatic characters were plausible , lifelike and self - consistent . In his essay Shakespeare and the Drama ( 1906 ) , Tolstoy went so far as ...
43 ページ
... argued , it would be difficult to think of any degree of emotion , any expression of distaste at his surroundings on Hamlet's part as being either excessive or indicative of neurotic tendencies . Hamlet has received considerably more ...
... argued , it would be difficult to think of any degree of emotion , any expression of distaste at his surroundings on Hamlet's part as being either excessive or indicative of neurotic tendencies . Hamlet has received considerably more ...
多く使われている語句
action appear approach argued aspects attention attitude audience behaviour believe Bradley called century character Christian claims Claudius compares complete concerned considerable considered conventions critics deal death described discussion distinct divine drama Duke effect elements Elizabethan evil example expression extreme fact feel figures frequently function give gods Hamlet Heaven historical human ideas imagery images important individual interest interpretation issues justice kind King Lear Knight least light limitations Macbeth major means Measure for Measure method mind moral motives nature Othello particularly patterns play poetic poetry possible presentation problem psychological psychology qualities question readers reading reference regard religious scene seems sense Shake Shakespeare Shakespeare criticism Shakespearian Shakespearian drama significance sources speech spirit suffering suggest symbolic tells themes thought tion tradition tragedy true truth understanding universe various whole Wilson writing