The Shakespearian Scene: Some Twentieth-century PerspectivesLongmans, 1969 - 182 ページ |
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22 ページ
... presentation of character depended not on naturalism but on stage conventions , and that a pre- dominantly psychological approach was historically indefensible since it involved the application to Shakespeare of criteria which were ...
... presentation of character depended not on naturalism but on stage conventions , and that a pre- dominantly psychological approach was historically indefensible since it involved the application to Shakespeare of criteria which were ...
33 ページ
... presentation , and that what matters ultimately is not so much the method employed by the dramatist in presenting his characters - whether that method be naturalistic or conven- tional - but the effect of these characters on the ...
... presentation , and that what matters ultimately is not so much the method employed by the dramatist in presenting his characters - whether that method be naturalistic or conven- tional - but the effect of these characters on the ...
36 ページ
... presentation of character . As between the critics and defenders of Shakespearian character the major point at issue is not so much the absolute self - consistency of the characters— even his most ardent apologists must admit occasional ...
... presentation of character . As between the critics and defenders of Shakespearian character the major point at issue is not so much the absolute self - consistency of the characters— even his most ardent apologists must admit occasional ...
多く使われている語句
action appear approach argued aspects attention attitude audience behaviour believe Bradley called century character Christian claims Claudius compares complete concerned considerable considered conventions critics deal death described discussion distinct divine drama Duke effect elements Elizabethan evil example expression extreme fact feel figures frequently function give gods Hamlet Heaven historical human ideas imagery images important individual interest interpretation issues justice kind King Lear Knight least light limitations Macbeth major means Measure for Measure method mind moral motives nature Othello particularly patterns play poetic poetry possible presentation problem psychological psychology qualities question readers reading reference regard religious scene seems sense Shake Shakespeare Shakespeare criticism Shakespearian Shakespearian drama significance sources speech spirit suffering suggest symbolic tells themes thought tion tradition tragedy true truth understanding universe various whole Wilson writing