Rich and Strange: Gender, History, ModernismPrinceton University Press, 2021/07/13 - 257 ページ Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. |
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... death of the father is an “ Oedipal ” ( psychicgenerational ) fantasy , enabling rather than undermining the system of -patriarchal power . Prospero , who pulls all the strings , displaces by means of his erudite ( book - learned and ...
Gender, History, Modernism Marianne DeKoven. Ariel's song , death and transfiguration are both , simultaneously , with irreducible self - contradiction , terrible and wonderful . In this study , I am interested in the connection , within ...
... death rushing on them . Huge fragments , clinging together in fatal fellowship , made one wide mass across the stream . " It is coming , Maggie ! ” Tom said in a deep hoarse voice , loosing the oars and clasping her . The next instant ...
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目次
3 | |
CHAPTER 1 | 19 |
CHAPTER 2 | 38 |
CHAPTER 3 | 67 |
CHAPTER 4 | 85 |
CHAPTER 5 | 139 |
CHAPTER 6 | 179 |
CHAPTER 7 | 208 |
NOTES | 217 |
INDEX | 245 |