Selected Poetry

前表紙
Oxford University Press, 1998 - 311 ページ
The Oxford Poetry Library series offers compact and fully annotated editions of some of the most important and best-loved English poets. Drawing on the acclaimed texts of the Oxford Authors series, these collections provide a generous selection of the verse of figures as diverse as Andrew Marvell and William Blake, John Keats and Thomas Hardy. Ideal for anyone interested in the eloquently wrought observations and thoughts of some of the English language's greatest writers, The Oxford Poetry Library should find a welcome place on the bookshelves of all lovers of literature.
Beginning his career as an engraver, it was not until his thirties that William Blake distinguished himself as a poet. This new edition of Blake's verse, presented in chronological order, encompasses Blake's entire career, from his early Poetical Sketches and There is No Natural Religion through his best known work Songs of Innocence, part of his beautiful series of poetry in lyric and blank verse, to his later works Jerusalem and The Everlasting Gospel. Representing the full range of Blake's accomplishements as a poet, this outstanding volume highlights the extraordinarily diverse achievements of his remarkable poetic oeuvre.

この書籍内から

ページのサンプル

目次

King Edward the Third 1783
10
Lyrics of c 1784
28
From Blakes annotations to Swedenborg c 1789
51
The Marriage of Heaven and Hell 1790
74
America a Prophecy 1793
95
Songs of Experience 1793
117
Europe a Prophecy 1794
130
Manuscript lyrics of the Felpham years 18001803
144
Milton 1804 extracts
161
Jerusalem 180418 extracts
176
The Everlasting Gospel c 1818
254
From Blakes annotations to Berkeleys Siris c 1820
264
Further Reading
304
著作権

他の版 - すべて表示

多く使われている語句

著者について (1998)

William Blake's poems, prophecies, and engravings represent his strong vision and voice for rebellion against orthodoxy and all forms of repression. Born in London in November 1757; his father, a hosier of limited means, could do little for the boy's education. However, when the young Blake's talent for design became apparent, his wise father sent him to drawing school at the age of 10. In 1771 Blake was apprenticed to an engraver. Blake went on to develop his own technique, a method he claimed that came to him in a vision of his deceased younger brother. In this, as in so many other areas of his life, Blake was an iconoclast; his blend of printing and engraving gave his works a unique and striking illumination. Blake joined with other young men in support of the Revolutions in France and America. He also lived his own revolt against established rules of conduct, even in his own home. One of his first acts after marrying his lifetime companion, Catherine Boucher, was to teach her to read and write, rare for a woman at that time. Blake's writings were increasingly styled after the Hebrew prophets. His engravings and poetry give form and substance to the conflicts and passions of the elemental human heart, made real as actual characters in his later work. Although he was ignored by the British literary community through most of his life, interest and study of his work has never waned. Blake's creativity and original thinking mark him as one of the earliest Romantic poets, best known for his Songs of Innocence (1789) and Songs of Experience (1794) and The Tiger. Blake died in London in 1827.

書誌情報