Sexuality and Gender in Early Modern Europe: Institutions, Texts, ImagesJames Turner Cambridge University Press, 1993/08/05 - 345 ページ This exploration of sexuality and gender in Renaissance art and literature starts from an assumption that would have seemed unthinkable a generation ago: that the 'natural' phenomena of sex, gender and subjectivity are constructed rather than essentially biological or fixed. The essays rise to the challenge of producing a new post-Foucaultian history of gender and sexuality. All of them have been influenced by feminism, and several deal with women not just as objects of representation, but as subjects and authors in their own right. Among the historical issues examined are the production and suppression of women's voices, the relation between illicit sexuality and social order, the ambiguity of beauty, lesbian erotics, birth-imagery and the birthing ritual, the class status of women, the 'femininity' of masculine dress, and the sexual politics of courtesy. |
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viii ページ
... body KATHARINE EISAMAN MAUS 266 13 The geography of love in seventeenth - century women's fiction JAMES F. GAINES and JOSEPHINE A. ROBERTS 289 14 Gender and conduct in Paradise Lost MICHAEL C. SCHOENFELDT Index 310 339 Illustrations 1 ...
... body KATHARINE EISAMAN MAUS 266 13 The geography of love in seventeenth - century women's fiction JAMES F. GAINES and JOSEPHINE A. ROBERTS 289 14 Gender and conduct in Paradise Lost MICHAEL C. SCHOENFELDT Index 310 339 Illustrations 1 ...
2 ページ
... body exposed to blows . The text effectively assaults the female reader and incites the male reader to share the rapists ' sadistic pleasure , complicit in the " dirty joke . " The essays in this volume converge , from several different ...
... body exposed to blows . The text effectively assaults the female reader and incites the male reader to share the rapists ' sadistic pleasure , complicit in the " dirty joke . " The essays in this volume converge , from several different ...
6 ページ
... body to be a text and the visual mark a form of oppression , these two ( very different ) art historians remain loyal to the substantive and integrative power of visual representation , their chosen object of professional study . It is ...
... body to be a text and the visual mark a form of oppression , these two ( very different ) art historians remain loyal to the substantive and integrative power of visual representation , their chosen object of professional study . It is ...
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目次
Marriage love sex and Renaissance civic morality | 10 |
Typology sexuality and the Renaissance Esther | 31 |
Artifice as seduction in Titian | 55 |
Renaissance women and the question of class | 90 |
Venetian women writers and their discontents | 107 |
The ambiguity of beauty in Tasso and Petrarch | 133 |
The ladies man and the age of Elizabeth | 158 |
Troping Utopia Donnes brief for lesbianism | 182 |
Staging gender William Shakespeare and Elizabeth Gary | 208 |
The semiotics of masculinity in Renaissance England | 233 |
Recuperating women and the man behind the screen | 247 |
A womb of his own male Renaissance poets in the female body | 266 |
The geography of love in seventeenthcentury womens fiction | 289 |
Gender and conduct in Paradise Lost | 310 |
339 | |
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