Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers in Painting, &cCharles Tilt, 1835 - 276 ページ |
この書籍内から
検索結果1-5 / 50
5 ページ
George Field. quence of painting , -the animating principle which gives life and action to the fine thoughts of the painter . " Among the several kinds of beauty , " says Addison , " the eye takes most delight in colour . We no where ...
George Field. quence of painting , -the animating principle which gives life and action to the fine thoughts of the painter . " Among the several kinds of beauty , " says Addison , " the eye takes most delight in colour . We no where ...
12 ページ
... action , and the cold hues of passive suffering to venous re - action ; and whether the passions denoted by the sallow or yellow hue are not biliary affections — are questions we leave to the anatomist . through all the colours , ages ...
... action , and the cold hues of passive suffering to venous re - action ; and whether the passions denoted by the sallow or yellow hue are not biliary affections — are questions we leave to the anatomist . through all the colours , ages ...
25 ページ
... action or discordance , though the latter is sometimes also to be taken into the account ; -they impress too , on the good colourist , not only the necessity of using his co- lours pure , but that also of using pure colours ...
... action or discordance , though the latter is sometimes also to be taken into the account ; -they impress too , on the good colourist , not only the necessity of using his co- lours pure , but that also of using pure colours ...
39 ページ
... action of direct light , or strongly reflected light , upon the organ , is destructive of vision , temporarily or for ever ; and as the angles of reflection and incidence in light are co - equal , it is obvious that we see objects to ...
... action of direct light , or strongly reflected light , upon the organ , is destructive of vision , temporarily or for ever ; and as the angles of reflection and incidence in light are co - equal , it is obvious that we see objects to ...
40 ページ
... action of a colour in which either of them predomi- nates , the predominant principle neutralizing or exhausting its opposite principle in the organ , while its other principle therein continues free , or accumulates during the act of ...
... action of a colour in which either of them predomi- nates , the predominant principle neutralizing or exhausting its opposite principle in the organ , while its other principle therein continues free , or accumulates during the act of ...
他の版 - すべて表示
多く使われている語句
according afford antient appear artist beautiful bright brown carmine CHAP chemical chromascope chromatic citrine cochineal colourist compound contrast copal copper greens dark denomination dries drying drying oil durable effect eligible pigment employed equal EXPERIMENT expression fresco gamboge glass glazing gray green ground harmony hence IDEM impure air KNIGHT'S TALE lakes latter lensic prism less light and shade linseed oil liquid litharge madder madder lakes mastic metrochrome MILTON mixture mode Naples yellow nature neutral ochre olive opaque orange Orpiment oxide oxygen painter painting palette perfect permanent picture pigments poet powers of colours practice prepared primary colours principles of light produced properties proportions Prussian blue pure purple refraction remarkable rendered resins respect russet scale scarlet semi-neutral shadows SHAKSPEARE spectrum Street substances tertiary colours texture tints Titian transparent ultramarine various varnish vehicle vermilion warm water and oil water-colour white lead yellow
人気のある引用
7 ページ - Yet nature is made better by no mean, But nature makes that mean : so, o'er that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race : this is an art ~\\ hich does mend nature, — change it rather ; but The art itself is nature.
175 ページ - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings...
92 ページ - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
140 ページ - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
156 ページ - YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
6 ページ - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
90 ページ - Boy, let yon liquid ruby flow, And bid thy pensive heart be glad, Whate'er the frowning zealots say : Tell them, their Eden cannot show A stream so clear as Rocnabad, A bower so sweet as Mosellay.
127 ページ - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
150 ページ - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
157 ページ - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side Views wilds and swelling floods, And hamlets brown, and dim-discover'd spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.