Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers in Painting, &cCharles Tilt, 1835 - 276 ページ |
この書籍内から
検索結果1-5 / 31
x ページ
... originals , unsuited to the present state of the art , but they are inadequate , irrelevant , and often erroneous or untrue ... original intention , expressed in his " Chromatics , " of treating on the relations , the nature , and the ...
... originals , unsuited to the present state of the art , but they are inadequate , irrelevant , and often erroneous or untrue ... original intention , expressed in his " Chromatics , " of treating on the relations , the nature , and the ...
1 ページ
... originals ; which , according to the literal expression of Mr. Salt , as far as colours go , throw all others completely in the back - ground : " he adds , " the most minute attention and painful labour are not equal to give a faithful ...
... originals ; which , according to the literal expression of Mr. Salt , as far as colours go , throw all others completely in the back - ground : " he adds , " the most minute attention and painful labour are not equal to give a faithful ...
5 ページ
... original and unrivalled use of water - colours in particular , in the perfec- tion of landscape , in the new and beautiful device of panoramic perspec- tive , and in engraving . Happily too , a school of colouring has arisen , that ...
... original and unrivalled use of water - colours in particular , in the perfec- tion of landscape , in the new and beautiful device of panoramic perspec- tive , and in engraving . Happily too , a school of colouring has arisen , that ...
35 ページ
... original identity ; the experimental demonstration of which , and of our physical rationale of colours , is beside our present purpose , and pregnant with materials for volumes . oxidation or combustion , a sort of flame attended by ON ...
... original identity ; the experimental demonstration of which , and of our physical rationale of colours , is beside our present purpose , and pregnant with materials for volumes . oxidation or combustion , a sort of flame attended by ON ...
47 ページ
... original pigments , nor yet multiply his pigments unnecessarily with such as are of hues and tints he can safely compose extemporaneously of original colours upon his palette . This will require experience ; and to facilitate the ...
... original pigments , nor yet multiply his pigments unnecessarily with such as are of hues and tints he can safely compose extemporaneously of original colours upon his palette . This will require experience ; and to facilitate the ...
他の版 - すべて表示
多く使われている語句
according afford antient appear artist beautiful bright brown carmine CHAP chemical chromascope chromatic citrine cochineal colourist compound contrast copal copper greens dark denomination dries drying drying oil durable effect eligible pigment employed equal EXPERIMENT expression fresco gamboge glass glazing gray green ground harmony hence IDEM impure air KNIGHT'S TALE lakes latter lensic prism less light and shade linseed oil liquid litharge madder madder lakes mastic metrochrome MILTON mixture mode Naples yellow nature neutral ochre olive opaque orange Orpiment oxide oxygen painter painting palette perfect permanent picture pigments poet powers of colours practice prepared primary colours principles of light produced properties proportions Prussian blue pure purple refraction remarkable rendered resins respect russet scale scarlet semi-neutral shadows SHAKSPEARE spectrum Street substances tertiary colours texture tints Titian transparent ultramarine various varnish vehicle vermilion warm water and oil water-colour white lead yellow
人気のある引用
7 ページ - Yet nature is made better by no mean, But nature makes that mean : so, o'er that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race : this is an art ~\\ hich does mend nature, — change it rather ; but The art itself is nature.
175 ページ - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings...
92 ページ - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
140 ページ - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
156 ページ - YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
6 ページ - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
90 ページ - Boy, let yon liquid ruby flow, And bid thy pensive heart be glad, Whate'er the frowning zealots say : Tell them, their Eden cannot show A stream so clear as Rocnabad, A bower so sweet as Mosellay.
127 ページ - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
150 ページ - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
157 ページ - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side Views wilds and swelling floods, And hamlets brown, and dim-discover'd spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.