The Puritan: A Series of Essays, Critical, Moral, and Miscellaneous, 第 2 巻Perkins & Marvin, 1836 |
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... turns to us the darkest side of things . As you make a term inclusive , you must of course make it obscure . As a sun placed in a remote quarter of the heavens , becomes to a spectator on this earth , a twinkling star , shedding a ...
... turns to us the darkest side of things . As you make a term inclusive , you must of course make it obscure . As a sun placed in a remote quarter of the heavens , becomes to a spectator on this earth , a twinkling star , shedding a ...
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... . Perhaps the effect be- comes more ludicrous , from the sublimity of the design . We laugh at the farcical effect ; and we laugh more at the contrast . clearly the pivots on which the passions turn , and THE PURITAN . 45.
... . Perhaps the effect be- comes more ludicrous , from the sublimity of the design . We laugh at the farcical effect ; and we laugh more at the contrast . clearly the pivots on which the passions turn , and THE PURITAN . 45.
46 ページ
... turn , and the foundations on which actions are built . We advance in self - knowledge . The corrupt writer , who explores the mind , is like the assassin , who rips open the body ; in both cases , it was malice which urged the attempt ...
... turn , and the foundations on which actions are built . We advance in self - knowledge . The corrupt writer , who explores the mind , is like the assassin , who rips open the body ; in both cases , it was malice which urged the attempt ...
55 ページ
... turning period of his character ; he gives himself up to guilt ; he expects all his pleas- ure from it ; he passes the line from which there is no return ; and whatever remorse he may feel , or how- ever keen his perception of his own ...
... turning period of his character ; he gives himself up to guilt ; he expects all his pleas- ure from it ; he passes the line from which there is no return ; and whatever remorse he may feel , or how- ever keen his perception of his own ...
57 ページ
... turns to the victim he has murdered , contrasts his condition with his own , and envies him the repose of the tomb . No poet ever surpassed this ; for a moment , our detestation for the wretch is lost in pity ; and we own the deep ...
... turns to the victim he has murdered , contrasts his condition with his own , and envies him the repose of the tomb . No poet ever surpassed this ; for a moment , our detestation for the wretch is lost in pity ; and we own the deep ...
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