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NOTES TO CANTO SECOND.
De Argentine.-St. III. p. 45. SIR Egidius, or Giles de Argentine, was one of the most aecomplished knights of the period. He had served in the wars of Henry of Luxemburg with such high reputation, that he was, in popular estimation, the third worthy of the age. Those to whom fame assigned precedence over him were, Henry of Luxemburg himself, and Robert Bruce. Argentine had warred in Palestine, encountered thrice with the Saracens, and had slain two antagonists in each engagement. An easy matter, he said, for one Christian knight to slay two Pagan dogs. His death corresponded with his high character. With Aymer de Valence, Earl of Pembroke, he was appointed to attend immediately upon the person of Edward II. When the day was utterly lost they forced the king from the field. De Argentine saw the king safe from immediate danger, and then took his leave of him; “God be with you, sir,” he said, “it
is not my wont to fly.” So saying, he turned his horse, cried bis war.cry, plunged into the midst of the combatants, and was slain. Baston, a rhyming monk who had been brought by Ed. ward to celebrate his expected triumph, and who was compelled by the victors to compose a poem on his defeat, mentions with some feeling the death of Sir Giles de Argentine:
“ Nobilis Argenten, pugil inclyte, dulcis Egidi,
« The first line mentions the three chief requisites of a true knight, noble birth, valour, and courteousness. Few Leonine couplets can be produced that have so much sentiment. I wish that I could have collected more ample memorials concerning ą character altogether different from modern manners. Sir Giles d'Argentine was a hero of romance in real life.” So observes the excellent Lord Hailes,
“ Erst own'd by royal Somerled,” -St. IV. p. 46. A Hebridean drinking cup, of the most ancient and curious workmanship, has been long preserved in the castle of Dunyegan, in Skye, the romantic seat of Mac-Leod of Mac-Leod, the chief of that ancient and powerful clan. The horn of Rorie More, preserved in the same family, and recorded by Dr Johnson, is not to be compared with this piece of antiquity, which is one of the greatest curiosities in Scotland. The following
is a pretty accurate description of its shape and dimensions, but cannot, I fear, be perfectly understood without a drawing.
This very curious piece of antiquity is nine inches and three quarters in inside depth, and ten and a half in height on the outside, the extreme measure over the lips being four inches and a half. The cup is divided into two parts by a wrought ledge, beautifully ornamented, about three-fourths of ari inch in breadth. Beneath this ledge the shape of the cup is rounded off, and terminates in a flat circle, like that of a tea-cup; four short feet support the whole. Above the projecting ledge the shape of the cup is nearly square, projecting outward at the brim. The cup is made of wood, (oak to all appearance,) but most curiously wrought and embossed with silver work, which projects from the vessel. There are a number of regular projecting sockets, which appear to have been set with stones; two or three of them still hold pieces of coral, the rest are empty. At the four corners of the projecting ledge, or cornice, are four sockets, much larger, probably for pebbles or precious stones. The workmanship of the silver is extremely elegant, and appears to have been highly gilded. The ledge, brim, and legs of the cup, are of silver. The family tradition bears that it was the property of Neil Ghlune-dhu, or Blackknee. But who this Neil was, no one pretends to say. Around the edge of the cup is a legend, perfectly legible, in the Saxon black-letter, which seems to run thus;
UFD : 3DHJ5 : JCH : 11 MOON: PNCJPJS: DE : || HR : gpapae : ah: || Ljabja : HDØRYNEIL: || ET: SPAT:DD: Jha:DA:||TLEA:JLLORU: Tpa :// FECIT : 09:03:31: | 930 DOLJ: D31993:
The inscription may run thus at length: Ufo Johanis Mich Magni Principis de Hr Manae Vich Liahia Magryneil et sperat Domino Ihesu dari clementiam illorum operu. Fecit Anno Domini 993 Onili Oimi. Which may run in English: Ufo, the son of John, the son of Magnus, Prince of Man, the grandson of Liahia Macgryneil, trusts in the Lord Jesus that their works (i. e. his own and those of his ancestors) will obtain mercy. Oneil Oimi made this in the year of God nine hundred and ninety-three.
But this version does not include the puzzling letters HR before the word Manae. Within the mouth of the cup the letters Jhs. (Jesus) are repeated four times. From this and other circumstances it would seem to have been a chalice. This cir. cumstance may perhaps account for the use of the two Arabic numerals 93. These figures were introduced by Pope Sylvester, A. D. 991, and might be used in a vessel formed for church service so early as 993. The workmanship of the whole cup is extremely elegant, and resembles, I am told, antiques of the same nature preserved in Ireland.
The cups thus elegantly formed, and highly valued, were by no means utensils of mere show. Martin gives the following account of the festivals of his time, and I have heard similar