Shakespearean CriticismGale Research International, Limited, 1996 - 400 ページ Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... audience response on the speaker , but direct it toward his interpretation of events . But throughout Ophelia's soliloquy after the nunnery scene , Hamlet remains before the audience : " O , what a noble mind is here o'erthrown ...
... audience response on the speaker , but direct it toward his interpretation of events . But throughout Ophelia's soliloquy after the nunnery scene , Hamlet remains before the audience : " O , what a noble mind is here o'erthrown ...
122 ページ
... audience . Stanley Cavell has proposed that in Lear the inevitable separation between actors and audience mirrors the ultimate iso- lation of the characters , and all of us , from each other : we cannot stop the characters from acting ...
... audience . Stanley Cavell has proposed that in Lear the inevitable separation between actors and audience mirrors the ultimate iso- lation of the characters , and all of us , from each other : we cannot stop the characters from acting ...
131 ページ
... audience . From the immediate causes of feeling in the characters the audience is detached , and its emotion is refined , furthermore , by the lan- guage and spectacle of the play . This well - known benefit from a special purchase on ...
... audience . From the immediate causes of feeling in the characters the audience is detached , and its emotion is refined , furthermore , by the lan- guage and spectacle of the play . This well - known benefit from a special purchase on ...
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