Shakespearean CriticismGale Research International, Limited, 1996 - 400 ページ Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... question ' Who is speaking ? ' elicits no single or simple answer . But the comedy of the epilogue owes its resonance in its context to the play's recurrent probing of the question , ' Who is speaking when the protagonist speaks ? ' And ...
... question ' Who is speaking ? ' elicits no single or simple answer . But the comedy of the epilogue owes its resonance in its context to the play's recurrent probing of the question , ' Who is speaking when the protagonist speaks ? ' And ...
191 ページ
... question : how do I know ? How can I be sure that A. is telling the truth , that B. is a villain , that C. loves me , that D. is lovesick ? How can intuition be confirmed ? These variants of the central question are exhibited , with ...
... question : how do I know ? How can I be sure that A. is telling the truth , that B. is a villain , that C. loves me , that D. is lovesick ? How can intuition be confirmed ? These variants of the central question are exhibited , with ...
256 ページ
... question is not whether Claudio is sincere he is certainly that , insofar as a ritual mode allows for such a distinc- tion . The question is what the ritual and Claudio's participation in it signify . For the ritual itself is , if ...
... question is not whether Claudio is sincere he is certainly that , insofar as a ritual mode allows for such a distinc- tion . The question is what the ritual and Claudio's participation in it signify . For the ritual itself is , if ...
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