Shakespearean CriticismGale Research International, Limited, 1996 - 400 ページ Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... tell the actor to pick up the cue . Such stage direc- tions create individuated patterns of speech and struc- ture representation of the social categories of class and gender . They are perhaps most subtly directorial in soliloquies ...
... tell the actor to pick up the cue . Such stage direc- tions create individuated patterns of speech and struc- ture representation of the social categories of class and gender . They are perhaps most subtly directorial in soliloquies ...
189 ページ
... tell you true , I counterfeit him . Ursula . You could never do him so ill - well , unless you were the very man . Here's his dry hand up and down : you are he , you are he . Antonio . At a word , I am not . Ursula . Come , come : do ...
... tell you true , I counterfeit him . Ursula . You could never do him so ill - well , unless you were the very man . Here's his dry hand up and down : you are he , you are he . Antonio . At a word , I am not . Ursula . Come , come : do ...
273 ページ
... tell Bianca and the women their duty to their husbands : he commands her and she obeys . The resolution effects a displacement of this aggres- sion so that domestic union can be affirmed and inten- sified without apparent coercion ...
... tell Bianca and the women their duty to their husbands : he commands her and she obeys . The resolution effects a displacement of this aggres- sion so that domestic union can be affirmed and inten- sified without apparent coercion ...
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young