CCLXXXIX. MISS HOGARTH

"HOUSEHOLD Words " OfficeE, Tuesday, March 11, 1856.1 MY DEAR GEORGY, I have been in bed half the day with my cold, which is excessively violent, consequently have to write in a great hurry to save the post.

Tell Catherine that I have the most prodigious, overwhelming, crushing, astounding, blinding, deafening, pulverising, scarifying secret, of which Forster is the hero, imaginable by the whole efforts of the whole British population. It is a thing of that kind that, after I knew it (from himself), this morning, I lay down flat as if an engine and tender had fallen upon me.

Love to Catherine (not a word of Forster before any one else), and to Mamey, Katey, Harry, and the noble Plorn. Tell Collins, with my kind regards, that Forster has just pronounced to me that "Collins is a decidedly clever fellow." I hope he is a better fellow in health, too. Ever affectionately.

CCXC. THE SAME

"HOUSEHOLD WORDS," Friday, March 14, 1856.

MY DEAR GEORGY, I am amazed to hear of the snow (I don't know why, but it excited John this morning beyond measure); though we have had the same east wind here, and the cold and my cold have both been intense.

Yesterday evening Webster, Mark, Stanny, and I went to the Olympic, where the Wigans ranged us in a row in a gorgeous and immense private box, and where we saw "Still Waters Run Deep." I laughed (in a conspicuous manner) to that extent at Emery, when he received the dinner-company, that the people were more amused by me than by the piece. I don't think I ever saw anything meant to be funny that struck me as so extraordinarily droll. I could n't get over it at all. After the piece we went round, by Wigan's invitation, to drink with him. It being positively impossible to get Stanny off the stage, we stood in the wings during the burlesque. Mrs. Wigan seemed really glad to see her old manager, and the company overwhelmed him with embraces. They had nearly all been at the meeting in the morning.

1 This note was written after hearing from Mr. Forster of his intended marriage.

I have seen Charley only twice since I came to London, having regularly been in bed until midday. To my amazement, my eye fell upon him at the Adelphi yesterday.

This day I have paid the purchase-money for Gad's Hill Place. After drawing the cheque, I turned round to give it to Wills (£1,790), and said: "Now is n't it an extraordinary thing look at the day-Friday! I have been nearly drawing it half a dozen times, when the lawyers have not been ready, and here it comes round upon a Friday, as a matter of course." Kiss the noble Plorn a dozen times for me, and tell him I drank his health yesterday, and wished him many happy returns of the day; also that I hope he will not have broken all his toys before I come back.

Ever affectionately.

CCXCI. W. C. MACREADY

49, CHAMPS ELYSÉES, PARIS, Saturday, March 22, 1856.

I want you

so to

MY DEAR MACREADY, you being quite well again, as I trust you are, and resolute to come to Paris arrange your order of march as to let me know beforehand when you will come, and how long you will stay. We owe Scribe and his wife a dinner, and I should like to pay the debt when you are with us. Ary Scheffer too would be delighted to see you again. If I could arrange for a certain day I would secure them. We cannot afford (you and I, I mean) to keep much company, because we shall have to look in at a theatre or so, I dare say!

It would suit my work best, if I could keep myself clear until Monday, the 7th of April. But in case that day should be too late for the beginning of your brief visit, with a deference to any other engagements you have in contemplation, then fix an earlier one, and I will make "Little Dorrit" curtsey to it. My recent visit to London and my having only just now come back have thrown me a little behindhand; but I hope to come up with a wet sail in a few days.

You should have seen the ruins of Covent Garden Theatre. I went in the moment I got to London - four days after the fire. Although the audience part and the stage were so tremendously burnt out that there was not a piece of wood half the size of a lucifer match for the eye to rest on, though no

thing whatever remained but bricks and smelted iron lying on a great black desert, the theatre still looked so wonderfully like its old self grown gigantic that I never saw so strange a sight. The wall dividing the front from the stage still remained, and the iron pass-doors stood ajar in an impossible and inaccessible frame. The arches that supported the stage were there, and the arches that supported the pit; and in the centre of the latter lay something like a Titanic grapevine that a hurricane had pulled up by the roots, twisted, and flung down there; this was the great chandelier. Gye had kept the men's wardrobe at the top of the house over the great entrance staircase; when the roof fell in it came down bodily, and all that part of the ruins was like an old Babylonic pavement, bright rays tessellating the black ground, sometimes in pieces so large that I could make out the clothes in the "Trovatore."

I should run on for a couple of hours if I had to describe the spectacle as I saw it, wherefore I will immediately muzzle myself. All here unite in kindest loves to dear Miss Macready, to Katie, Lillie, Benvenuta, my godson, and the noble Johnny. We are charmed to hear such happy accounts of Willy and Ned, and send our loving remembrance to them in the next letters. All Parisian novelties you shall see and hear for your

self.

Ever, my dearest Macready,

Your affectionate friend.

P. S. — Mr. F.'s aunt sends her defiant respects.

CCXCII. W. C. MACREADY

49, AVENUE DES CHAMPS ELYSÉES, PARIS, Thursday Night, March 27, 1856 (after post-time).

MY DEAREST MACREADY, If I had had any idea of your coming (see how naturally I use the word when I am three hundred miles off!) to London so soon, I would never have written one word about the jump over next week. I am vexed that I did so, but as I did I will not now propose a change in the arrangements, as I know how methodical you tremendously old fellows are. That's your secret I suspect. That's the way in which the blood of the Mirabels mounts in your aged veins, even at your time of life.

How charmed I shall be to see you, and we all shall be, I will not attempt to say. On that expected Sunday you will lunch at Amiens but not dine, because we shall wait dinner for you, and you will merely have to tell that driver in the glazed hat to come straight here. When the Whites left I added their little apartment to this little apartment, consequently you shall have a snug bedroom (is it not waiting expressly for you?) overlooking the Champs Elysées. As to the arm-chair in my heart, no man on earth but, good God! you know all

about it.

You will find us in the queerest of little rooms all alone, except that the son of Collins the painter (who writes a good deal in "Household Words ") dines with us every day. Scheffer and Scribe shall be admitted for one evening, because they know how to appreciate you. The Emperor we will not

ask unless you expressly wish it; it makes a fuss.

If you have no appointed hotel at Boulogne, go to the Hôtel des Bains, there demand "Marguerite," and tell her that I commended you to her special care. It is the best house within my experience in France; Marguerite the best housekeeper in the world.

I shall charge at "Little Dorrit" to-morrow with new spirits. The sight of you is good for my boyish eyes, and the thought of you for my dawning mind. Give the inclosed lines a welcome,

then send them on to Sherborne.

Ever yours most affectionately and truly.

CCXCIII. MRS. CHARLES DICKENS

TAVISTOCK HOUSE, Monday, May 5, 1856.

MY DEAR CATHERINE, I did nothing at Dover (except for "Household Words "), and have not begun "Little Dorrit," No. 8, yet. But I took twenty-mile walks in the fresh air, and perhaps in the long run did better than if I had been at work. The report concerning Scheffer's portrait I had from Ward. It is in the best place in the largest room, but I find the general impression of the artists exactly mine. They almost all say that it wants something; that nobody could mistake whom it was meant for, but that it has something disappointing in it, etc., etc. Stanfield likes it better than any of the other painters, I think.

His own picture is magnificent. And Frith, in a