 | Horace Walpole, George Vertue - 1782 - 358 ページ
...fondnefs for drefs, while they entirely exclude all grace, and leave no more room for a painter's, geniu* than, if he had been employed to copy an Indian idol, totally compofed of hands and necklaces. A pale Roman nofe, a head of hair loaded with crowns and powdered... | |
 | Horace Walpole - 1786 - 346 ページ
...they are loaded, are marks of her continual fondnefs for drefs, while they entirely exclude all grace, and leave no more room for a painter's genius than...had been employed to copy an. Indian idol, totally compofed df hands and necklaces. A pale Roman nofe, a head of hair loaded with crowns and powdered... | |
 | Samuel Felton - 1787 - 400 ページ
...fondnefs for drefs, while they entirely exclude all grace, and leave no more room for a painter't " genius than if he had been employed to copy an Indian idol, totally compofed of hands and necklaces. ** A pale Roman nofe, a head of hair loaded with crowns, and powdered... | |
 | John Britton, Edward Wedlake Brayley, Joseph Nightingale, James Norris Brewer, John Evans, John Hodgson, Francis Charles Laird, Frederic Shoberl, John Bigland, Thomas Rees - 1801 - 512 ページ
...hair is of a sandy colour; her complexion rather fair. " A pale Roman nose," says Horace Walpole, " a head of hair loaded with crowns, and powdered with...and a bushel of pearls, are the features by which every body knows at once the pictures of Queen Elizabeth." This description is truly applicable to... | |
 | John Britton, Edward Wedlake Brayley, Joseph Nightingale, James Norris Brewer, John Evans, John Hodgson, Francis Charles Laird, Frederic Shoberl, John Bigland, Thomas Rees - 1801 - 496 ページ
...her complexion rather fair. " A pale Roman nose," says Horace Walpole, " a head of hair loaded wit/i crowns, and powdered with diamonds, a vast ruff, a...and a bushel of pearls, are the features by which every body knows at once the pictures of Queen Elizabeth." This description is truly applicable to... | |
 | John Britton, Edward Wedlake Brayley, Joseph Nightingale, James Norris Brewer, John Evans, John Hodgson, Francis Charles Laird, Frederic Shoberl, John Bigland, Thomas Rees - 1801 - 474 ページ
...hair is of a sandy colour; her complexion rather fair. " A pale Roman nose," says Horace Walpole, " a head of hair loaded with crowns, and powdered with diamonds, a vast run", a vaster fardingalc, and a bushel of pearls, are the features by which every body knows at once... | |
 | James Pettit Andrews - 1806 - 394 ページ
...iniugineiii, in tabula •exprimeret.' [MEMORIALS. [29] ' A pale Roman nose, a head of hair loaded with pearls and powdered with diamonds, a vast ruff, a vaster...and a bushel of pearls, are the features' by which we recognise Elizabeth. There exists a family piece in which Henry VIII., Edward, Mary and Philip,... | |
 | Thomas Blore - 1815 - 320 ページ
...which they are loaded are marks of her fondness for dress, whilst they entirely exclude all grace, and leave no more room for a painter's genius than...and a bushel of pearls, are the features by which every body knows at once the pictures of Queen Elizabeth." Gerards came to England not long after the... | |
 | James Norris Brewer - 1801 - 1208 ページ
...Her hair is of a sandy color; her complexion rather fair. "A pale Roman nose," says Horace Walpole, " a head of hair loaded with crowns, and powdered with...and a bushel of pearls, are the features by which every body knows at once the pictures of Queen Elizabeth." This description is truly applicable to... | |
 | James Elmes - 1825 - 336 ページ
...they are loaded, are marks of her continual fondness for dress, while they entirely exclude all grace, and leave no more room for a painter's genius than...hair loaded with crowns and powdered with diamonds, avast ruff, a .raster farthingale and a bushel of pearls, are the features by which every body knows... | |
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... there is not a single portrait of her that one can call beautiful. The profusion of ornaments with which they are loaded are marks of her continual fondness for dress, while they entirely exclude all grace, and leave no more room for a painter's genius... 
