Composition in Pictures

abstraction accented actual world advertising appear arbitrary areas arrangement artist background becomes beginning Broad Closed Collection color combination complete composing Conceptions confusing continues create dark describe diagonal diagram directions distance dominant drawing effect entirely Equivocal Space established experience eyes feeling figures final flat flatten foreground format forms Gallery give horizontal ideas illustrates important indicated integrated interest interval kind light light and dark limited linear lines lower matter method Metropolitan Museum Modern Art movement Museum of Art Museum of Modern nature objects opposite outline overlapping painters painting particular pattern PAUL perspective Photograph courtesy pictorial composition pictorial space picture plane placing position pure recede recession relation relationships Reversal rhythmic seen Shapes from Old shown shows similar sketch spatial Subjective Lines surface symmetrical Texture things tion triangle Unifying upper usually vantage points variety varying vertical vision visual volumes York