Radical Satire and Print Culture, 1790-1822Clarendon Press, 1994 - 318 ページ With the publication of Marcus Wood's Radical Satire and Print Culture 1790-1822 there is at last a study that does justice to the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic artist George Cruikshank. The book provides new ways into the study of radical and Romantic satire. It uncovers hitherto forgotten or unimagined contexts for the work of Hone, Cruikshank, and their contemporaries. Radical satire fused the literary and political inheritance of seventeenth and eighteenth-century satire with the most up-to-date developments in advertising, popular publishing, and the print trade. Wood scrutinizes the complex parodic experiments which resulted, and reveals the satires which proliferated around the Peterloo Massacre and the Queen Caroline affair to evade distinctions between literature and trash, art and advertising, politics and propaganda. The book is also a major contribution to the current debate on relations between satire and parody. Popular satire in the Romantic age emerges as essentially parodic, extending beyond literary travesty to work upon dress codes, social customs, architecture, and the languages of church and law. Radical Satire and Print Culture teaches us that in order to understand the operations of parody we must be as ready to spot a reference to Packwood's celebrated razor strops, or to a Lutheran pornographic woodcut, as to pounce upon an echo from The Rape of the Lock. |
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... LORD ELLENBOROUGH -Why , nobody can have read that newspaper you speak of ; what have I or the jury to do with- MR . HONE- My Lord ! My Lord ! it is I who am on my trial , not your Lordship . I have to defend myself , not your Lordship ...
... LORD ELLENBOROUGH -Why , nobody can have read that newspaper you speak of ; what have I or the jury to do with- MR . HONE- My Lord ! My Lord ! it is I who am on my trial , not your Lordship . I have to defend myself , not your Lordship ...
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... Lord- ship's intimation . Lord Ellenborough — I think what I have stated is intelligible enough to every other person in Court . Mr. Hone — It is certainly not intelligible to my humble apprehension . Lord Ellenborough- -I can't help it ...
... Lord- ship's intimation . Lord Ellenborough — I think what I have stated is intelligible enough to every other person in Court . Mr. Hone — It is certainly not intelligible to my humble apprehension . Lord Ellenborough- -I can't help it ...
278 ページ
Marcus Wood. pension 3 rd . Thou shalt not take the Name of the Lord thy Minister the the Minister will force not hold him God in vain for I thy Lord will to accept Chilterns Pensions guiltless that taken my Name in Vain– head holiday on ...
Marcus Wood. pension 3 rd . Thou shalt not take the Name of the Lord thy Minister the the Minister will force not hold him God in vain for I thy Lord will to accept Chilterns Pensions guiltless that taken my Name in Vain– head holiday on ...
目次
Advertising Politics and Parody 17101780 | 18 |
168 no 716 1796 78 | 49 |
Eaton Spence and Modes of Radical Subversion in | 57 |
著作権 | |
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多く使われている語句
advertising appeared attack attempt became become broadside brought caricature carried Catechism celebrated charge children's book Church Collection common constituted continued court describes detail developed discussion early effect eighteenth century England English engraving etching evidence example figure final forms French George Cruikshank give head History Hone Hone's illustration included interest James Gillray John journal judges jury King Ladder language late libel Lilburne linguistic literature London Lord loyalist mass methods Minister mock nature newspapers nineteenth century nursery original Oxford pamphlet parody period plate Political House popular presented produced propaganda prosecution publishing Queen quoted radical reform Regent relating religious rhyme satire shows Slop social Society Spence Spence's style taken Thomas Spence tion token took trial University various Wilkes Wood writings