Radical Satire and Print Culture, 1790-1822Clarendon Press, 1994 - 318 ページ With the publication of Marcus Wood's Radical Satire and Print Culture 1790-1822 there is at last a study that does justice to the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic artist George Cruikshank. The book provides new ways into the study of radical and Romantic satire. It uncovers hitherto forgotten or unimagined contexts for the work of Hone, Cruikshank, and their contemporaries. Radical satire fused the literary and political inheritance of seventeenth and eighteenth-century satire with the most up-to-date developments in advertising, popular publishing, and the print trade. Wood scrutinizes the complex parodic experiments which resulted, and reveals the satires which proliferated around the Peterloo Massacre and the Queen Caroline affair to evade distinctions between literature and trash, art and advertising, politics and propaganda. The book is also a major contribution to the current debate on relations between satire and parody. Popular satire in the Romantic age emerges as essentially parodic, extending beyond literary travesty to work upon dress codes, social customs, architecture, and the languages of church and law. Radical Satire and Print Culture teaches us that in order to understand the operations of parody we must be as ready to spot a reference to Packwood's celebrated razor strops, or to a Lutheran pornographic woodcut, as to pounce upon an echo from The Rape of the Lock. |
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133 ページ
... constituted the precise trea- son with which he was charged ) ' encompassing and imagining the death of the king ' . With indomitable patience the defence lawyers stuck at the job of questioning every Crown witness and every piece of ...
... constituted the precise trea- son with which he was charged ) ' encompassing and imagining the death of the king ' . With indomitable patience the defence lawyers stuck at the job of questioning every Crown witness and every piece of ...
164 ページ
... constituted one of the most dynamic areas of the advertising trade and he continued to work for Bish , the largest of the lottery companies , into his maturity . 26 He also produced notices for travel- ling showmen and numerous product ...
... constituted one of the most dynamic areas of the advertising trade and he continued to work for Bish , the largest of the lottery companies , into his maturity . 26 He also produced notices for travel- ling showmen and numerous product ...
188 ページ
... constituted one of the major attractions of the early nine- teenth - century newspaper . Lord Milton wrote from Naples in 1818 : we laugh at all the tittle tattle of the newspapers , at the advertisements for the lottery , patent ...
... constituted one of the major attractions of the early nine- teenth - century newspaper . Lord Milton wrote from Naples in 1818 : we laugh at all the tittle tattle of the newspapers , at the advertisements for the lottery , patent ...
目次
Advertising Politics and Parody 17101780 | 18 |
168 no 716 1796 78 | 49 |
Eaton Spence and Modes of Radical Subversion in | 57 |
著作権 | |
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多く使われている語句
advertising appeared attack attempt became become broadside brought caricature carried Catechism celebrated charge children's book Church Collection common constituted continued court describes detail developed discussion early effect eighteenth century England English engraving etching evidence example figure final forms French George Cruikshank give head History Hone Hone's illustration included interest James Gillray John journal judges jury King Ladder language late libel Lilburne linguistic literature London Lord loyalist mass methods Minister mock nature newspapers nineteenth century nursery original Oxford pamphlet parody period plate Political House popular presented produced propaganda prosecution publishing Queen quoted radical reform Regent relating religious rhyme satire shows Slop social Society Spence Spence's style taken Thomas Spence tion token took trial University various Wilkes Wood writings