Memorials of a Tour on the Continent: To which are Added Miscellaneous PoemsW. Pickering, 1845 - 311 ページ |
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21 ページ
... close juxtaposition with , and even upon , these same marble walls : so that you may really pause in the streets , and imagine you are gazing at the scenery of a theatre : yet from the effects of pro- portion , aided by the rich tone of ...
... close juxtaposition with , and even upon , these same marble walls : so that you may really pause in the streets , and imagine you are gazing at the scenery of a theatre : yet from the effects of pro- portion , aided by the rich tone of ...
35 ページ
... close to the wall , with a slow uncertain step , and a fixed sidelong look . As he approached , he took no notice whatever of me ; but I could see that his eye was fixed intently upon some object near me , which I could not make out ...
... close to the wall , with a slow uncertain step , and a fixed sidelong look . As he approached , he took no notice whatever of me ; but I could see that his eye was fixed intently upon some object near me , which I could not make out ...
57 ページ
... forget that these unhappy beings before us are our fellow - creatures . Let us pass on our way : close our common - place book : and betake us to meditation . THE WALK AT NAPLES . A CONVERSATIONAL SKETCH . A. PROSE AND VERSE . 57 .
... forget that these unhappy beings before us are our fellow - creatures . Let us pass on our way : close our common - place book : and betake us to meditation . THE WALK AT NAPLES . A CONVERSATIONAL SKETCH . A. PROSE AND VERSE . 57 .
85 ページ
... close under him , evidently in the greatest terror . I walked a little further up the ascent ; and they got him up , and brought him to me , and I re- mounted , and we proceeded as before . The road con- tinued more or less beset with ...
... close under him , evidently in the greatest terror . I walked a little further up the ascent ; and they got him up , and brought him to me , and I re- mounted , and we proceeded as before . The road con- tinued more or less beset with ...
86 ページ
... close to the edge of a black precipice , which in the obscurity looked bottomless . It was really a frightful sight . But these things occur so suddenly , and are , one way or another , terminated so quickly , that , at the time , you ...
... close to the edge of a black precipice , which in the obscurity looked bottomless . It was really a frightful sight . But these things occur so suddenly , and are , one way or another , terminated so quickly , that , at the time , you ...
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ancient Apennine appear ascent beauty beneath BETCHWORTH breath bright Casa del Bosco Catania Chamonix child cliff cloud Col du Géant cold colour Courmayeur crevasses Daguerrotype dark dear descended Devouassoud earth effect Etna EXTRACT FROM MANUSCRIPT fire Florence flowers fresco gaze Géant Genevieve glacier glorious golden grace guides hand hast heard heart heaven height hills hour hues John Herschel La Verna lava light look MANUSCRIPT JOURNAL marble Maurice Mont Blanc Monte Nuovo morning mountain Naples Nature night Nisida Note o'clock o'er ocean once painting passed picture Pisa river Mole rocks round scene scenery sculpture serac shade shore sight slope snow song SONNET soul sound spirit stars statue stone stood stream summit sweet sweet oblivion thee thine things thou thoughts truth turn twas vapours Venice voice walk weather whilst wild wind wing
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175 ページ - You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race : this is an art Which does mend nature, change it rather, but The art itself is nature.
127 ページ - Nor shapes of men nor beasts we ken — The ice was all between. The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound!
175 ページ - But nature makes that mean: so, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive...
182 ページ - ... che nella capitale; tutte queste doti vere ed uniche di quel fortunato e libero paese, mi rapirono...
158 ページ - ... if what has happened in the case of sculpture, had likewise happened in regard to their paintings, and we had the good fortune to possess what the ancients themselves esteemed their master-pieces, I have no doubt but we should find their figures as correctly drawn as the Laocoon, and probably...
158 ページ - FORASMUCH as it hath pleased Almighty God of his goodness to give you safe deliverance, and hath preserved you in the great danger...
170 ページ - ... virginis est verae facies, quam vivere credas et, si non obstet reverentia, velle moveri: ars adeo latet arte sua. miratur et haurit pectore Pygmalion simulati corporis ignes.
182 ページ - ... in queste tante diramazioni della pubblica felicità, provenienti dal miglior governo. Onde, benché io allora non ne studiassi profondamente la costituzione, madre di tanta prosperità, ne seppi però abbastanza osservare e valutare gli effetti divini.
174 ページ - Sir, the year growing ancient, — Not yet on summer's death, nor on the birth Of trembling winter, — the fairest flowers o...
133 ページ - ... scramble up to the base of a small column of ice, that communicated with a sort of platform, on which there was firm, though scanty standing room, and whence the bridge might be immediately reached. The ice column looked insecure ; and the more so, from the quantity of brilliantly white fresh-fallen snow that had lodged against it. Its firmness, however, was put to the proof by blows with an ice pole, and it was partially cleared of the fresh snow. Devouassoud then cautiously cut steps round...