Poetry and the Feminine from Behn to CowperUniversity of Delaware Press, 2005 - 227 ページ Poetry and the Feminine from Behn to Cowper revisits the foundations of poetic representation and value for women and men poets of the Restoration and eighteenth century including Aphra Behn, John Dryden, Anne Killigrew, Anne Finch, and Alexander Pope. The author argues that fundamental to poetic innovation in this era are poets' revisions of feminine figures such as the muse and nature. Feminine Nature serves these poets as an infinitely expandable category of form that allows them to redefine poetry and poetic subjectivity. These poetic innovations include exploring the very grounds of mimesis, dismantling the hierarchy of poetic kinds, and using sensibility to yoke aesthetic and ethical values. Using an inclusive framework, the author presents a history of poetic change through women's and men's complex dialogues with poetic contexts and conventions. Jennifer Keith is Associate Professor at the University of North Carolina at Greensboro. |
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... political and poetic authorities : " the return of monarchy , " he explains , " could be argued as a restoration not only of political forms but of ' culture ' in our sense of the word ; and the royalist conjoining of arts and empire ...
... political and poetic authorities : " the return of monarchy , " he explains , " could be argued as a restoration not only of political forms but of ' culture ' in our sense of the word ; and the royalist conjoining of arts and empire ...
35 ページ
... politics and poetics of inspiration . " 19 Insofar as poetry established its authority through the notion of inspiration , it could and often did align itself with religious and political sides . The politics of inspiration were heated ...
... politics and poetics of inspiration . " 19 Insofar as poetry established its authority through the notion of inspiration , it could and often did align itself with religious and political sides . The politics of inspiration were heated ...
102 ページ
... political power resembles the play of light and shadow through the trees , a " coy Nymph " whom " her Lover's warm Address / Nor quite indulges , nor can quite repress " ( 19- 20 ) . The poem begins by establishing sexual authority ...
... political power resembles the play of light and shadow through the trees , a " coy Nymph " whom " her Lover's warm Address / Nor quite indulges , nor can quite repress " ( 19- 20 ) . The poem begins by establishing sexual authority ...
目次
Introduction | 11 |
Dryden Pope and the Transformation of the Muse | 30 |
Women Poets and the Muse | 51 |
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achievement aesthetic Anne Anne Finch appears approach argues asserts Augustan Behn body Cambridge century chapter character claims classical conventional Criticism Culture defines describes discussion divine Dryden early edited eighteenth Eighteenth-Century empirical England English Essays establish female feminine feminized figure Finch friendship function gender Gray History human identifies identity images imagination imitation inspiration James John Killigrew kinds labor land landscape language limits lines literary Literature male masculine material moral muse Nature notion object obscure observes Oxford pastoral person personification poem poet's poetic authority poetry political Pope Pope's position prospect reader relation religious represent representation Restoration revision rhetorical role Romantic seen sensibility sentimental serves sexual shows social soul speaker spiritual Spring structure Studies sublime suffering Swift Thomson tion tradition transformation tree turn University Press values verse virtue voice woman women poets writers York