Poetry and the Feminine from Behn to CowperUniversity of Delaware Press, 2005 - 227 ページ Poetry and the Feminine from Behn to Cowper revisits the foundations of poetic representation and value for women and men poets of the Restoration and eighteenth century including Aphra Behn, John Dryden, Anne Killigrew, Anne Finch, and Alexander Pope. The author argues that fundamental to poetic innovation in this era are poets' revisions of feminine figures such as the muse and nature. Feminine Nature serves these poets as an infinitely expandable category of form that allows them to redefine poetry and poetic subjectivity. These poetic innovations include exploring the very grounds of mimesis, dismantling the hierarchy of poetic kinds, and using sensibility to yoke aesthetic and ethical values. Using an inclusive framework, the author presents a history of poetic change through women's and men's complex dialogues with poetic contexts and conventions. Jennifer Keith is Associate Professor at the University of North Carolina at Greensboro. |
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12 ページ
... rhetorical conventions and aesthetic norms that assumed a male poet - subject . In other words , to en- gage thoughtfully in poetic discourse the best women poets had to develop alternatives to the most basic elements of establishing ...
... rhetorical conventions and aesthetic norms that assumed a male poet - subject . In other words , to en- gage thoughtfully in poetic discourse the best women poets had to develop alternatives to the most basic elements of establishing ...
33 ページ
... rhetorical strategies to defend the very fact that to write is to usurp the authority of other writers and to demand the reader's attention . 12 The status of the author and the nature of authority became increasingly scrutinized as the ...
... rhetorical strategies to defend the very fact that to write is to usurp the authority of other writers and to demand the reader's attention . 12 The status of the author and the nature of authority became increasingly scrutinized as the ...
66 ページ
... rhetorical function of the muse and thus her poetic ambition is marked by tragic frustration.35 Even with the Queen as her muse , Killigrew's relation to a larger audience is untenable . Killigrew identifies patriarchal prohibitions ...
... rhetorical function of the muse and thus her poetic ambition is marked by tragic frustration.35 Even with the Queen as her muse , Killigrew's relation to a larger audience is untenable . Killigrew identifies patriarchal prohibitions ...
目次
Introduction | 11 |
Dryden Pope and the Transformation of the Muse | 30 |
Women Poets and the Muse | 51 |
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