Poetry and the Feminine from Behn to CowperUniversity of Delaware Press, 2005 - 227 ページ Poetry and the Feminine from Behn to Cowper revisits the foundations of poetic representation and value for women and men poets of the Restoration and eighteenth century including Aphra Behn, John Dryden, Anne Killigrew, Anne Finch, and Alexander Pope. The author argues that fundamental to poetic innovation in this era are poets' revisions of feminine figures such as the muse and nature. Feminine Nature serves these poets as an infinitely expandable category of form that allows them to redefine poetry and poetic subjectivity. These poetic innovations include exploring the very grounds of mimesis, dismantling the hierarchy of poetic kinds, and using sensibility to yoke aesthetic and ethical values. Using an inclusive framework, the author presents a history of poetic change through women's and men's complex dialogues with poetic contexts and conventions. Jennifer Keith is Associate Professor at the University of North Carolina at Greensboro. |
この書籍内から
検索結果1-3 / 39
41 ページ
... role of poet . In turn , Dryden identifies himself as a " Mortal Muse " ( 16–22 ) , making explicit his internalization of inspiration . Killigrew's function will be not to give the poet the right words but to atone for his and other ...
... role of poet . In turn , Dryden identifies himself as a " Mortal Muse " ( 16–22 ) , making explicit his internalization of inspiration . Killigrew's function will be not to give the poet the right words but to atone for his and other ...
44 ページ
... role , notes Winn , which shifts to one of stereotypically masculine power and then concludes with spent sexual energy.55 Taking the place of the priestesses who worshipped at the Delphic oracle , Dryden figures an eroticism more ...
... role , notes Winn , which shifts to one of stereotypically masculine power and then concludes with spent sexual energy.55 Taking the place of the priestesses who worshipped at the Delphic oracle , Dryden figures an eroticism more ...
52 ページ
... role of speaker . In their treatments of the muse , women poets articulate their awareness that poetic au- thority is typically gendered - that the male poet imitates female Nature . What Charles Hinnant wrote of Anne Finch applies to ...
... role of speaker . In their treatments of the muse , women poets articulate their awareness that poetic au- thority is typically gendered - that the male poet imitates female Nature . What Charles Hinnant wrote of Anne Finch applies to ...
目次
Introduction | 11 |
Dryden Pope and the Transformation of the Muse | 30 |
Women Poets and the Muse | 51 |
著作権 | |
他の 5 セクションは表示されていません
他の版 - すべて表示
多く使われている語句
achievement aesthetic Anne Anne Finch appears approach argues asserts Augustan Behn body Cambridge century chapter character claims classical conventional Criticism Culture defines describes discussion divine Dryden early edited eighteenth Eighteenth-Century empirical England English Essays establish female feminine feminized figure Finch friendship function gender Gray History human identifies identity images imagination imitation inspiration James John Killigrew kinds labor land landscape language limits lines literary Literature male masculine material moral muse Nature notion object obscure observes Oxford pastoral person personification poem poet's poetic authority poetry political Pope Pope's position prospect reader relation religious represent representation Restoration revision rhetorical role Romantic seen sensibility sentimental serves sexual shows social soul speaker spiritual Spring structure Studies sublime suffering Swift Thomson tion tradition transformation tree turn University Press values verse virtue voice woman women poets writers York